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May 19, 2022

Keynote Video: A Better Way to Present Your Solution, with Maura Rivera

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B2B Growth

In this episode, Benji talks to Maura Rivera, CMO at Qualified.

As Qualified looks to shape their corporate narrative and paint a bigger picture of what they are bringing to market they have found one medium particularly useful, keynote videos. A 12-minute video, becomes a piece of pillar content informing the rest of their content strategy. Today we unlock how to use keynote videos in your marketing strategy.

For an example of the Qualified Keynote, click here.

Transcript
WEBVTT 1 00:00:08.160 --> 00:00:16.320 Conversations from the front lines and marketing. This is be tob growth. Welcome 2 00:00:16.440 --> 00:00:20.559 back to BTB growth. I'm your host, Benjie Block, and today I 3 00:00:20.600 --> 00:00:25.800 am joined by more Rivera. She is the CMO at qualified more. Welcome 4 00:00:25.839 --> 00:00:29.079 in to the show. Thanks, Bengie, thanks for having me and pump 5 00:00:29.160 --> 00:00:32.520 to be here. It's going to be a great conversation here. I know 6 00:00:32.600 --> 00:00:37.280 from a high level more A. qualified is a newer company, still building 7 00:00:37.320 --> 00:00:42.359 brand, targeted account approach, but behind the scenes you guys have been working 8 00:00:42.439 --> 00:00:47.280 on really a bigger vision right bring in a bigger vision to the market, 9 00:00:47.320 --> 00:00:52.000 and you actually launched that about two weeks ago, and so we'll pick that 10 00:00:52.039 --> 00:00:55.320 apart a little bit and discuss it. I promise this isn't a big ad 11 00:00:55.439 --> 00:00:59.200 for for qualified here, but tell us a little bit about the big project 12 00:00:59.479 --> 00:01:02.119 in the work you guys have been doing. Yeah, so, thanks for 13 00:01:02.159 --> 00:01:07.680 asking. So qualified, where pipeline generation platform? We're really focused on helping 14 00:01:07.799 --> 00:01:11.680 bebb companies drive more pipeline. From your website we have kind of a core 15 00:01:11.840 --> 00:01:17.760 flagship product, which is a conversational product, and then over the last year 16 00:01:17.799 --> 00:01:22.920 we've started to roll out multiple products, multiple solutions, and so what we 17 00:01:23.000 --> 00:01:26.840 launched two weeks ago was a larger vision rather than us just being a conversational 18 00:01:26.959 --> 00:01:32.000 product. We now are painting this vision. And for the pipeline cloud, 19 00:01:32.040 --> 00:01:37.519 the thought behind it was that sales force kind of invented these cloud solutions. 20 00:01:37.519 --> 00:01:40.480 If your salesperson, you use sales cloud, if you're a service person, 21 00:01:40.560 --> 00:01:44.319 you use service cloud, and we thought to ourselves, what is the thing, 22 00:01:44.359 --> 00:01:49.760 the set of technologies and processes that a marketer uses to generate pipeline, 23 00:01:49.799 --> 00:01:53.760 and so we kind of pulled together all of our products and are starting to 24 00:01:53.799 --> 00:01:57.079 tell this larger story about the pipeline cloud, the new set of technologies and 25 00:01:57.079 --> 00:02:01.799 processes for bbcmos to generate pipeline, and it was an exciting launch for us 26 00:02:01.840 --> 00:02:07.799 because it was bigger and more visionary than any other product launch we've kind of 27 00:02:07.799 --> 00:02:10.599 dead in the past. Hmm See. So what I believe is going to 28 00:02:10.639 --> 00:02:14.520 be valuable for our audience is just to hear some of the INS and outs 29 00:02:14.599 --> 00:02:19.599 of this project, because I think there were some helpful bits that we can 30 00:02:19.680 --> 00:02:23.319 all apply to our different context and obviously, specifically for be tob growth. 31 00:02:23.360 --> 00:02:27.520 This is for marketing people, but typically, if you're bringing a product to 32 00:02:27.560 --> 00:02:30.479 market. You're going to have your sort of marketing playbook. Here's what we 33 00:02:30.520 --> 00:02:36.159 do. We run these plays. This is a bit more unique than that, 34 00:02:36.400 --> 00:02:39.719 and so tell us a little bit of what maybe sets this project apart. 35 00:02:39.879 --> 00:02:43.479 Yeah, well, first off, I love a launch. It is 36 00:02:43.520 --> 00:02:47.360 a reason to kind of pull together your messaging. There is like a line 37 00:02:47.400 --> 00:02:52.639 in the sand and a date that you're going to tell people this story. 38 00:02:52.719 --> 00:02:55.879 It kind of helps you rally your marketing team around something, your company around 39 00:02:55.960 --> 00:03:00.759 something, and it gives your prospects and customers a reason to pay attention to 40 00:03:00.800 --> 00:03:05.000 you. So I think, especially as we were smaller and as we are 41 00:03:05.000 --> 00:03:07.439 growing, we always wanted to have big marketing. Launch is kind of on 42 00:03:07.479 --> 00:03:13.000 the calendar to show momentum, show show velocity. But one thing that I 43 00:03:13.000 --> 00:03:15.800 have been trying to do and our team has been trying to do over the 44 00:03:15.840 --> 00:03:20.800 last few years is be different when we do a launch. Of course we'll 45 00:03:20.840 --> 00:03:23.000 do a blog post well, as you a press release. Will have our 46 00:03:23.039 --> 00:03:27.840 social swarm, but one question we've been asking ourselves is, like what is 47 00:03:27.879 --> 00:03:34.360 our marky asset when we do a launch? And so over the last year 48 00:03:34.479 --> 00:03:38.960 we have kind of started this playbook that all kind of aligns around a keynote 49 00:03:39.080 --> 00:03:44.120 video, which is kind of the central asset for when we do a marketing 50 00:03:44.240 --> 00:03:50.000 launch. The keynote video came to be during Covid when events had gone out 51 00:03:50.080 --> 00:03:53.159 the window, but we were missing that moment where you could make a big 52 00:03:53.240 --> 00:03:58.120 announcement on stage, and our CEO kept asking me. He would send me 53 00:03:58.199 --> 00:04:01.840 links to apple keynotes, like you know, Jum Cook revealing the iphone or 54 00:04:01.879 --> 00:04:05.159 the newest color, the newest I've had, whatever. Maybe he would send 55 00:04:05.159 --> 00:04:12.000 me links to Tim Cook's keynotes and Mark Bennyoff's dreamforce keynotes where he would get 56 00:04:12.080 --> 00:04:15.840 these huge product announcements on stage. And he kept saying, what is our 57 00:04:15.919 --> 00:04:18.959 version of the keynote? How do we bring something to market in this video 58 00:04:19.079 --> 00:04:25.240 format? And so over the last year we've kind of burtht this keynote concept, 59 00:04:25.240 --> 00:04:29.560 which is where we shoot it actually in a green screen, kind of 60 00:04:29.600 --> 00:04:33.000 in a big green screen studio, and we get our narrative really tight. 61 00:04:33.000 --> 00:04:38.920 We have different spokespeople come on stage, we have a mixture of slides behind 62 00:04:39.040 --> 00:04:44.040 us and product demos happening behind us and they arrange anywhere from like eight to 63 00:04:44.079 --> 00:04:47.240 twelve minutes and it is a forcing function for us to get kind of our 64 00:04:47.240 --> 00:04:53.519 whole message wrapped in a bow and delivered to people and kind of this video 65 00:04:53.800 --> 00:04:57.279 format. It's on demand. You can chop it up into a bunch of 66 00:04:57.279 --> 00:05:01.040 different assets. It is kind of the central piece that all launch things lead 67 00:05:01.120 --> 00:05:05.160 to, and so that's kind of become the the center piece of all of 68 00:05:05.160 --> 00:05:10.399 our launches going forward. And and we really stretched ourselves to do this pipeline 69 00:05:10.439 --> 00:05:15.160 cloud keynote that told this larger narrative about the world is changing and marketers need 70 00:05:15.199 --> 00:05:17.480 to keep up. And then we introduced our solution and we followed that with 71 00:05:17.519 --> 00:05:21.639 the demo and this really sleek video and that's become a new part of our 72 00:05:21.680 --> 00:05:26.680 go to market playbook when we have an announcement. There's a lot that I 73 00:05:26.680 --> 00:05:30.519 want to talk about with the keynote idea. I want to go back because 74 00:05:30.519 --> 00:05:32.839 you were asking a question at the front end, right. How can we 75 00:05:32.879 --> 00:05:35.879 stand out? What are we doing when we're doing these launches? Like, 76 00:05:36.319 --> 00:05:42.639 were you experimenting with different thoughts or because this keynote idea was thrown out during 77 00:05:42.680 --> 00:05:45.240 covid was like this is definitely what we're moving forward with. It's just an 78 00:05:45.240 --> 00:05:49.040 execution, like how we gonna do that? Walk me through how you went 79 00:05:49.079 --> 00:05:53.160 about answering that question of how are we going to stand out? Yeah, 80 00:05:53.240 --> 00:05:56.920 we knew we wanted something to be video first. So, to answer your 81 00:05:56.959 --> 00:06:00.040 question as about execution, video is is king. You look at all these 82 00:06:00.120 --> 00:06:04.360 bedby companies now who have their version of apple plus. We have something called 83 00:06:04.439 --> 00:06:08.680 qualified plus where all of our videos live. We knew we wanted it to 84 00:06:08.680 --> 00:06:12.639 be a video, but we had a lot of questions about execution. Is 85 00:06:12.680 --> 00:06:15.439 it live? Is this something we drive registration for? Do we do it 86 00:06:15.439 --> 00:06:20.240 in a real event space or do we manufacture this like cool world that's modern 87 00:06:20.360 --> 00:06:25.079 and visionary? Do we do the demos live, which feels authentic, but 88 00:06:25.160 --> 00:06:28.839 that could make it hard? How do so? We had a lot of 89 00:06:28.920 --> 00:06:31.639 debate about how, what do we want to achieve, and we kind of 90 00:06:31.680 --> 00:06:36.439 then backed into how we produced it based on that. So we took a 91 00:06:36.480 --> 00:06:40.399 ton of inspiration, like I said, from apple and we were like, 92 00:06:40.399 --> 00:06:43.839 okay, we want this clean esthetic, we want a mixture of slidewear and 93 00:06:43.879 --> 00:06:46.959 demos behind us. Let's try it on demand first time or around, because 94 00:06:47.000 --> 00:06:50.920 we were nervous about live streaming it, just with like all of the production 95 00:06:51.000 --> 00:06:57.720 implications. Yeah, but then the on demand approach actually worked nicely because in 96 00:06:57.759 --> 00:07:01.240 today's world, like do people want to register and wait for an announcement? 97 00:07:01.279 --> 00:07:05.319 I don't know. So it's it's worked out nicely. We've done about five 98 00:07:05.319 --> 00:07:10.480 in the last year. We've shotten I think, five different studios. We 99 00:07:10.560 --> 00:07:15.879 have had different spokespeople from our company. We've had some that were just demo, 100 00:07:15.000 --> 00:07:19.160 some that had slideware as well, and we're constantly kind of iterating on 101 00:07:19.199 --> 00:07:24.480 the format. So it's even things down to when we go on site, 102 00:07:24.519 --> 00:07:29.240 like the size of the teleprompter, to how we use confidence monitors, to 103 00:07:29.319 --> 00:07:31.920 how we iterate on the script and collaborate on it. We've kind of been 104 00:07:31.959 --> 00:07:35.959 fine tuning the process. But that was a long way of saying we knew 105 00:07:35.959 --> 00:07:39.680 we wanted to do video. We didn't know exactly what it wanted, what 106 00:07:39.720 --> 00:07:42.519 we wanted it to look like and feel like, but we're kind of happy 107 00:07:42.560 --> 00:07:45.560 with where we've gotten over the last year after a lot of testing. Really, 108 00:07:46.600 --> 00:07:49.319 what I love about this and what you guys are iterating on, is 109 00:07:49.360 --> 00:07:55.199 how much it would have to clarify your message, because you have to when 110 00:07:55.199 --> 00:07:57.720 you're thinking about the scripting of it. When you're thinking of how we're going 111 00:07:57.759 --> 00:08:01.160 to do this in a video format. It raises the level of intensity from 112 00:08:01.160 --> 00:08:05.319 like a Webinar or a typical demo, or it just all the components that 113 00:08:05.319 --> 00:08:09.360 we think of and be to be that we have to have right sort of 114 00:08:09.360 --> 00:08:11.759 as collateral. And this goes how do we add production value to them? 115 00:08:13.240 --> 00:08:18.360 And so there's a lot of angles that I'm sure people are curious on. 116 00:08:18.560 --> 00:08:20.120 This is why I like being a podcast hose, because I get to ask 117 00:08:20.160 --> 00:08:24.639 whatever follow up questions I want to ask and I get to just hear the 118 00:08:24.680 --> 00:08:28.319 INS and outs of this. But I wonder. You said you've done about 119 00:08:28.360 --> 00:08:33.000 five in the last year. You've mentioned literally iterating on prompt teleprompters and all 120 00:08:33.000 --> 00:08:37.120 sorts stuff, but talk to me a little bit about how it's differed project 121 00:08:37.120 --> 00:08:39.039 to project and some of the things you've learned now having done this a few 122 00:08:39.039 --> 00:08:43.120 times. Yeah, so where we start? I'll talk you through our latest 123 00:08:43.159 --> 00:08:46.399 one because I feel like that kind of reflects our learning along the way. 124 00:08:46.480 --> 00:08:50.519 The message is King. So where we starts? We actually started this one 125 00:08:50.559 --> 00:08:58.159 months ago just doing messaging sessions with our founders and with our executive team and 126 00:08:58.200 --> 00:09:01.960 testing the narrative, on them, getting their feedback on the narrative, understanding 127 00:09:03.000 --> 00:09:07.679 if the story all flowed well and really the the keynote started in a slide 128 00:09:07.679 --> 00:09:11.320 deck format where we put out the story, we think about the visuals that 129 00:09:11.320 --> 00:09:16.159 will aid them and then we back into the script. We've tried kind of 130 00:09:16.159 --> 00:09:20.039 the reverse order, but we feel like when we can see the final product 131 00:09:20.120 --> 00:09:24.120 in slide deck format that goes from big words on a slide, two big 132 00:09:24.159 --> 00:09:28.360 stats on a slide, two different product shots on a slide, that helps 133 00:09:28.480 --> 00:09:31.840 us make sure that the narrative is right, that the story is flowing well, 134 00:09:31.840 --> 00:09:37.320 and then we back into writing the script. We have different folks participate 135 00:09:37.360 --> 00:09:41.360 in this in this keynote. So like our CEO did the introduction, because 136 00:09:41.399 --> 00:09:45.000 he's laying out this narrative for a company at best comes from him. He 137 00:09:45.080 --> 00:09:46.720 likes to help write his own script, so it feels like him and it 138 00:09:46.759 --> 00:09:50.480 sounds like him. I delivered the product demo portion of it, so I 139 00:09:50.519 --> 00:09:54.919 kind of wrote my version of the script and then we would do hours and 140 00:09:54.960 --> 00:09:58.440 hours of dry runs before our shoot date where we would just make sure the 141 00:09:58.480 --> 00:10:03.320 story is tight and it's flowing really, really well, and then, in 142 00:10:03.360 --> 00:10:05.720 parallel, we worked with our creative team. We work in an APP called 143 00:10:05.759 --> 00:10:11.480 Figma to create high fidelity visuals for the slides and for the product demo so 144 00:10:11.519 --> 00:10:16.600 that it all looks really seamless. The reason that a keynote is good is 145 00:10:16.639 --> 00:10:20.919 like a blog post, you could be Jejen the copy up until the day 146 00:10:20.960 --> 00:10:24.559 of a lot the keynote. There is a date on the calendar where you're 147 00:10:24.559 --> 00:10:28.360 shooting this video, where you're doing the live script reads, and so it's 148 00:10:28.399 --> 00:10:31.759 a forcing function for you to get your story really tight. We even, 149 00:10:31.759 --> 00:10:35.120 once we got our story tight, our visuals tight or script tight, we 150 00:10:35.159 --> 00:10:39.519 even do dry runs the day before, practicing our choreography. What's happening on 151 00:10:39.519 --> 00:10:43.600 the screen behind us, where are we pointing, so that when we get 152 00:10:43.639 --> 00:10:46.440 there for shoot date, we, like, are totally information. We know 153 00:10:46.480 --> 00:10:52.120 exactly how we're going to shoot it. We've even worked with different studio sizes, 154 00:10:52.159 --> 00:10:54.360 some that are bigger, some that are smaller. So we've started to 155 00:10:54.399 --> 00:10:58.840 use bigger studios so we have more room to walk around and really make the 156 00:10:58.879 --> 00:11:03.000 story come to life. But it's an interesting production because it's a mix of 157 00:11:03.000 --> 00:11:09.159 product marketing, design, collaboration with our founders, prepping our spokespeople so that 158 00:11:09.200 --> 00:11:13.440 they feel animated and confident when they get on stage. So it's a lot 159 00:11:13.480 --> 00:11:18.320 of moving parts and I feel like we're still perfect. We're still debating, 160 00:11:18.360 --> 00:11:22.039 like the demo component. How can we make it more interactive? We want 161 00:11:22.080 --> 00:11:26.600 to bring more customers into our keynotes so that they can have some customer validation. 162 00:11:26.639 --> 00:11:30.840 So we did a retrospective last week and we still have a lot of 163 00:11:30.879 --> 00:11:33.320 ideas. We question. Do we want to break out of the screen, 164 00:11:33.360 --> 00:11:37.720 screen world and go back to more practical environment? So I think we're continuing 165 00:11:37.759 --> 00:11:41.679 to like iterate, both from the process standpoint but also the production standpoint, 166 00:11:41.759 --> 00:11:48.679 like how we make these really showstopping videos. Hey, everybody, Olivia here. 167 00:11:48.919 --> 00:11:52.960 As a member of the sweet fish sales team. I wanted to take 168 00:11:52.000 --> 00:11:58.279 a second and share something that makes us insane mean more efficient. Our team 169 00:11:58.399 --> 00:12:01.600 uses lead Iq. So for those of you who are in sales or sales 170 00:12:01.720 --> 00:12:05.840 ups, let me give you some context. You know how long gathering contact 171 00:12:05.919 --> 00:12:11.480 data can take so long, and with lead Iq, what once took us 172 00:12:11.559 --> 00:12:16.559 four hours to do now takes us just one. That is seventy five percent 173 00:12:16.600 --> 00:12:20.720 more efficient. We are so much quicker without bound prospecting and organizing our campaigns 174 00:12:22.039 --> 00:12:24.720 is so much easier than before. I suggest you guys check it out as 175 00:12:24.720 --> 00:12:31.600 well. You can find them at lead iqcom. That's L EA D iqcom. 176 00:12:31.639 --> 00:12:35.360 Already. Let's jump back into the show. So I think we're continuing 177 00:12:35.399 --> 00:12:41.320 to like iterate, both from the process standpoint but also the production standpoint, 178 00:12:41.399 --> 00:12:46.639 like how we make these really show stopping videos. Let's talk about the customer 179 00:12:46.639 --> 00:12:52.399 side of things for a second, because if this was done wrong, you 180 00:12:52.440 --> 00:12:56.360 could be very just selfserving in a video like this, where it's the same 181 00:12:56.360 --> 00:13:00.639 reason why people struggle to get Webinar sign up. So this could just become 182 00:13:00.720 --> 00:13:05.120 this glorified version of like why put a lot of money into a project that 183 00:13:05.320 --> 00:13:07.519 is showcasing your product? Great job, but you still have to get people 184 00:13:07.559 --> 00:13:11.120 to watch it in like want to interact with this thing. So I'm sure 185 00:13:11.120 --> 00:13:15.720 there's like a balance there. How do we make it engaging enough, entertaining 186 00:13:15.840 --> 00:13:20.519 enough, also add enough value to the customer in this that they're going to 187 00:13:20.519 --> 00:13:22.919 engage with this thing? It's going to be worth it right. So how 188 00:13:22.960 --> 00:13:26.639 have you thought about that in the creation process? Yeah, you have to 189 00:13:26.639 --> 00:13:31.600 get your money's worth out of video and investments, whether it's a keynote or 190 00:13:31.639 --> 00:13:35.200 a customer film. You know, it adds up. I used to be 191 00:13:35.240 --> 00:13:37.519 on the video team at sales force and we would do these beautiful customer story 192 00:13:37.559 --> 00:13:41.480 films. But you have to make sure they're used across your website, across 193 00:13:41.519 --> 00:13:45.799 your marketing assets and the sales cycle. So for us, what we do 194 00:13:45.879 --> 00:13:48.360 is we have this one kind of let's say it's a ten minute keynote, 195 00:13:48.559 --> 00:13:52.360 and then we chop it up into probably twelve different assets. We have an 196 00:13:52.399 --> 00:13:58.559 asset that is like sizzle videos for advertising. We haven't even shorter version that 197 00:13:58.559 --> 00:14:01.759 we use for Youtube ads to make sure if people are searching relevant content they 198 00:14:01.759 --> 00:14:05.600 can see it. They're we have this site called qualified plus where the long 199 00:14:05.720 --> 00:14:09.200 version of the keynote lives. We have a shorter version that's just the demo 200 00:14:09.320 --> 00:14:13.799 on our product pages. So if I'm spending x amount of dollars on the 201 00:14:13.840 --> 00:14:18.320 video production, I at least know I'm getting usually ten to twelve assets out 202 00:14:18.360 --> 00:14:22.159 of it. One thing that's fun is we always do that. We call 203 00:14:22.200 --> 00:14:24.679 them sizzle videos, but like a three thousand to forty five second kind of 204 00:14:24.759 --> 00:14:30.480 Mashup like must know pieces of the keynote and that's what all of our employees 205 00:14:30.519 --> 00:14:33.600 push out on social the day of the launch. So your linkedin feed becomes 206 00:14:33.639 --> 00:14:39.159 like this sea of sizzle videos and they have captions underneath them and they're fun 207 00:14:39.240 --> 00:14:41.120 and they're snappy and they lead to the longer keynote. They make you want 208 00:14:41.120 --> 00:14:45.840 to watch them. But you have to make sure you're intentional about the cutdowns 209 00:14:45.840 --> 00:14:48.399 that you get. You have to make sure that there is a place in 210 00:14:48.399 --> 00:14:50.840 a space for all of your assets and then you have to weave them through 211 00:14:50.840 --> 00:14:54.720 every part of your launch. What are the outbound cadences and are your sales 212 00:14:54.759 --> 00:14:58.080 teams using them? What are the best things that they can use further on 213 00:14:58.120 --> 00:15:01.360 in the sale cycle, not just on launch date? So we try and 214 00:15:01.399 --> 00:15:07.000 be really intentional to make sure we're getting our money's worth out of these videos. 215 00:15:07.039 --> 00:15:09.759 And of course there are like ways we can measure that. You know, 216 00:15:11.039 --> 00:15:13.240 views on Youtube. We can see how long of the video people are 217 00:15:13.320 --> 00:15:18.799 watching and there's an overwhelming sense of gratitude from our employees that now they have 218 00:15:18.919 --> 00:15:24.080 these sleek assets to share with their prospects. That makes us look like really 219 00:15:24.080 --> 00:15:28.960 grown up and big and innovative and it it kind of just like takes our 220 00:15:28.000 --> 00:15:33.320 brand up a notch, which has been awesome. Definitely see how that can 221 00:15:33.360 --> 00:15:35.759 be a value add I think putting in all the if you're going to put 222 00:15:35.840 --> 00:15:39.600 in that much time on the front end to create an asset like this, 223 00:15:39.159 --> 00:15:43.480 the more that you can get out of it in repurposing and putting it other 224 00:15:43.519 --> 00:15:46.960 places. If that's a no brainer, it's just it's the extra work right. 225 00:15:48.000 --> 00:15:50.399 And I think when we had talked before, we were even talking about 226 00:15:50.399 --> 00:15:54.399 how this informs website copy, two emails, I mean content creation all over 227 00:15:54.440 --> 00:16:00.440 the place. Walk me through what that looks like kind of if you're looking 228 00:16:00.480 --> 00:16:04.519 at the project you guys just did, you're having to plan not only like 229 00:16:04.799 --> 00:16:08.679 we're going to practice a dry run of the video itself, but how this 230 00:16:08.759 --> 00:16:12.200 is actually going to go to all these different places. Can you give a 231 00:16:12.240 --> 00:16:15.159 like behind the scenes a little bit on what that might look like in the 232 00:16:15.159 --> 00:16:19.120 weeks leading up to a launch? Yeah, so for us, like once 233 00:16:19.159 --> 00:16:25.879 the keynote narrative and look and feel from a design perspective is tight, the 234 00:16:25.919 --> 00:16:29.840 rest of the launch flows from that. How far in advance might that be? 235 00:16:30.559 --> 00:16:33.759 Well, if I were, if I were like a lucky woman, 236 00:16:33.840 --> 00:16:36.960 I would do everything like eight weeks further in advance than we wanted. We 237 00:16:37.000 --> 00:16:41.200 actually as Burgers. Time is never on our side. So for us, 238 00:16:41.279 --> 00:16:45.759 let's see, we did our launch mid April. We started building our narrative 239 00:16:45.879 --> 00:16:49.600 in December, January and testing it and we went hard into like keynote production 240 00:16:49.799 --> 00:16:55.360 planning, getting the slides built, this script built, the visuals built, 241 00:16:55.519 --> 00:16:59.080 I would say February first, right when we kicked off the fiscal year. 242 00:16:59.159 --> 00:17:03.119 So we really had I'd say eight or nine weeks of like intense launch planning, 243 00:17:03.240 --> 00:17:06.720 which was tight. If I were to do it over again, we'd 244 00:17:06.720 --> 00:17:10.839 have a little bit more time. And so the first four weeks was just 245 00:17:10.920 --> 00:17:14.400 focused on the keynote. How can we get that story tight? How can 246 00:17:14.440 --> 00:17:18.920 we get ready for production? And then everything that goes into a launch, 247 00:17:18.079 --> 00:17:23.519 blog posts, advertisements, we wrote an Ebook, we had new social assets. 248 00:17:23.680 --> 00:17:27.759 All of that stuff reflected the exact language, the exact look and feel 249 00:17:27.799 --> 00:17:33.359 of the keynote and all of our promotional assets drove back to the keynote as 250 00:17:33.359 --> 00:17:37.839 a way for our viewers to kind of understand the story and get excited about 251 00:17:37.839 --> 00:17:42.160 this pipeline, cloud vision. So what we put into the keynote then bled 252 00:17:42.200 --> 00:17:45.599 into everything else we did from a marketing standpoint and it was nice because it 253 00:17:45.640 --> 00:17:51.680 all hung together so nicely on launch date. Like the video looked and sounded 254 00:17:51.799 --> 00:17:55.440 like our email, looked and sounded like our blog post. We even readd 255 00:17:55.440 --> 00:18:00.000 our home page to match the narrative. We put new videos on qualified plus 256 00:18:00.400 --> 00:18:03.759 everything hung together from the creation of that keynote. If ire to do it 257 00:18:03.799 --> 00:18:07.279 over again, I'd have two more months to do it all. But we 258 00:18:07.359 --> 00:18:11.720 pulled it off because we have like a really amazing team, product marketing team, 259 00:18:11.720 --> 00:18:15.720 content team, creative team, and it's fun to it pushes your creative 260 00:18:15.759 --> 00:18:22.720 muscles a little bit beyond the typical marketing playbook and I think to all of 261 00:18:22.720 --> 00:18:26.640 the marketers out there I would I think it's an interesting time to innovate on 262 00:18:26.759 --> 00:18:29.880 video. How do you use video as a centerpiece of your launch? How 263 00:18:29.920 --> 00:18:33.200 do you tell your story in a compelling way to your point? How do 264 00:18:33.240 --> 00:18:37.559 you tell the narrative that's like tied to your viewers problems and not just chest 265 00:18:37.599 --> 00:18:42.519 beating like a very youth centric video and solution? So it pushes us to 266 00:18:42.519 --> 00:18:45.400 make sure that, like, we're really tight with our narrative and the story 267 00:18:45.440 --> 00:18:52.160 we're telling. Hey be to be gross listeners. We want to hear from 268 00:18:52.240 --> 00:18:55.799 you. In fact, we will pay you for it. Just head over 269 00:18:55.839 --> 00:19:00.400 to be tob growth podcom and complete a short survey about the show to enter 270 00:19:00.440 --> 00:19:03.880 for a chance to win two hundred and fifty dollars plus. The first fifty 271 00:19:03.960 --> 00:19:08.640 participants will receive twenty five dollars as our way of saying thank you so much 272 00:19:08.640 --> 00:19:14.920 one more time. That's be tob growth podcom, letter B number two, 273 00:19:15.039 --> 00:19:22.359 letter be growth podcom. One entry per person must be an active listener of 274 00:19:22.400 --> 00:19:29.279 the show to enter. I look forward to hearing from you. To your 275 00:19:29.319 --> 00:19:32.920 point, how do you tell the narrative that's like tied to your viewers problems 276 00:19:32.920 --> 00:19:38.279 and not just chest beating like a very you centric video and solution? So 277 00:19:38.319 --> 00:19:41.240 it pushes us to make sure that, like, we're really tight with our 278 00:19:41.319 --> 00:19:45.359 narrative and the story we're telling. HMM, I've brought it up a couple 279 00:19:45.440 --> 00:19:48.839 times and I don't we don't need to go here too long, because I 280 00:19:48.839 --> 00:19:52.720 think our listeners are going to connect the dots of how this is way different 281 00:19:52.759 --> 00:19:57.400 than like, let's say, I mean any sort of Webinar or other you 282 00:19:57.440 --> 00:20:03.640 know, like the more traditional be to be video options, right, but 283 00:20:03.759 --> 00:20:08.000 just give a compare and contrast to how you've the mega difference, I guess, 284 00:20:08.000 --> 00:20:12.160 you see in doing this strategy versus other marketing strategies you've been a part 285 00:20:12.200 --> 00:20:15.640 of, right, especially maybe in a video format, where the one that 286 00:20:15.640 --> 00:20:18.559 comes to my mind recurringly is the Webinar. But I don't know if there's 287 00:20:18.559 --> 00:20:23.039 some other things that come to your mind and how you've seen this be the 288 00:20:23.039 --> 00:20:27.200 specific benefit over those. Yeah, I think. I mean look at the 289 00:20:27.240 --> 00:20:33.400 last two years. How many virtual events have we all joined in? It's 290 00:20:33.400 --> 00:20:37.279 hard to pull them off. It's really hard to keep the viewer engaged. 291 00:20:37.359 --> 00:20:41.839 It's a lot to ask your viewer to commit an entire day to watching your 292 00:20:41.839 --> 00:20:45.279 content. So I think what we were looking at was the you know, 293 00:20:45.599 --> 00:20:51.440 covid era webinar where everybody is at home and there's slides on one side and 294 00:20:51.519 --> 00:20:55.039 faces on a screen on the other, and we looked at that and then 295 00:20:55.079 --> 00:20:59.240 we also looked at live streaming of events pre covid like. What was that 296 00:20:59.599 --> 00:21:02.599 ex experience that you felt like when you got to be the first person at 297 00:21:02.680 --> 00:21:07.960 dreamforce to see the unveiling of like the latest product, that there was excitement 298 00:21:07.039 --> 00:21:10.799 there. So, if I guess, on one end of the spectrum was 299 00:21:10.880 --> 00:21:14.640 kind of a blaw Webinar and on the other end of the spectrum was the 300 00:21:14.680 --> 00:21:18.400 live stream of a really incredible event. We wanted it to feel more like 301 00:21:18.440 --> 00:21:22.880 that live stream experience, but we wanted to condense it so that people could 302 00:21:22.920 --> 00:21:26.240 digest the content and then move on with their day jobs. We wanted to 303 00:21:26.240 --> 00:21:30.640 make it available on demand so people could watch it when it worked for them, 304 00:21:30.680 --> 00:21:34.200 and we wanted to uplevel the production so it felt like a beat to 305 00:21:34.279 --> 00:21:41.400 sea, like unveiling that apple like experience that is modern and sleek. And 306 00:21:41.440 --> 00:21:45.519 so really we were going against the Webinar for so many reasons and I think 307 00:21:45.680 --> 00:21:51.440 I think we delivered on that vision, but I still think there's more work 308 00:21:51.440 --> 00:21:56.119 to be done as well. Well, I can say you have definitely delivered 309 00:21:56.160 --> 00:21:59.200 on the vision. I went and watched some of these and I wouldn't like 310 00:21:59.279 --> 00:22:03.160 highlight this on it be to be growth episode if we were like on this 311 00:22:03.200 --> 00:22:07.359 as a strategy or as a way of thinking. So I definitely I love 312 00:22:07.400 --> 00:22:11.000 that you said Short, on demand, highly produced to me that is what 313 00:22:11.079 --> 00:22:14.599 sets it apart. And when you're just thinking of it from a marketing standpoint, 314 00:22:14.680 --> 00:22:18.799 if you are going to leverage repurposing this content, what is your sales 315 00:22:18.839 --> 00:22:21.240 team going to want? What is your marketing team going to be able to 316 00:22:21.359 --> 00:22:25.279 use this? Is that like? It does have to be short enough that 317 00:22:25.319 --> 00:22:29.119 someone would digest it when you get sent a link, right, it has 318 00:22:29.200 --> 00:22:33.839 to be high quality enough that you can tell there was extreme intentionality and purpose 319 00:22:33.880 --> 00:22:37.920 put behind the thing. So I love that and I love that you can 320 00:22:37.960 --> 00:22:41.599 see room for improvement right with it. With anything, you're so in the 321 00:22:41.599 --> 00:22:44.960 weeds that you're going to be like, okay, there's a million new things 322 00:22:44.960 --> 00:22:48.720 we want to try and continue to innovate on. Okay. So I wonder 323 00:22:48.920 --> 00:22:52.920 now, being just a few weeks removed from this you're mentioning there's some other 324 00:22:52.960 --> 00:22:56.200 stuff you would want to try. What do you see as some of the 325 00:22:56.200 --> 00:23:00.440 next iterations? What are some of those things that you're looking to the future 326 00:23:00.480 --> 00:23:04.799 going? We would love to try fill in the black from a keynote perspective. 327 00:23:06.039 --> 00:23:08.680 Yeah, yes, two major things. We want to bring more customers 328 00:23:08.799 --> 00:23:12.440 into them, like whether there's a Qa with a customer, even having a 329 00:23:12.480 --> 00:23:18.839 customer deliver the product Demo just to give people great confidence that the product were 330 00:23:18.839 --> 00:23:23.519 pitching works. So how can we bring more customer speakers into our key notes 331 00:23:23.640 --> 00:23:29.359 and is there a way we can have a live element to the demo? 332 00:23:29.480 --> 00:23:32.279 But that's hotly debated for us. Like I said, we don't want to 333 00:23:32.279 --> 00:23:36.039 make people grab a number, a weight in line, but there is something 334 00:23:36.079 --> 00:23:41.920 really authentic about a live demo and, like you know, some videos have 335 00:23:41.960 --> 00:23:45.559 gotten so overproduced that you question, like what's real what's fake. So we're 336 00:23:45.599 --> 00:23:49.839 trying to just figure out how do we bring some of that authenticity live demo 337 00:23:49.920 --> 00:23:56.799 experience back into the keynotes. I would say customers and like continuing to iterate 338 00:23:56.880 --> 00:24:00.799 on the product demos just to make them feel really tangent. Bull are the 339 00:24:00.839 --> 00:24:04.599 two big things that I'm excited about. Yeah, there's a long list, 340 00:24:04.680 --> 00:24:07.319 but those are the two things that I think I really want to tackle with 341 00:24:07.319 --> 00:24:12.880 our next keynote. Hmm, okay, let's go to talking about the Roi. 342 00:24:12.880 --> 00:24:18.279 You've seen from this it's one thing to create something that's just a great 343 00:24:18.400 --> 00:24:22.279 asset and you put on a bunch of stuff, but then you're obviously going 344 00:24:22.319 --> 00:24:26.480 to look at the return. What has that been for you? Can you 345 00:24:26.480 --> 00:24:30.000 share some of the results? Yeah, I mean video is this is the 346 00:24:30.000 --> 00:24:33.039 age old question, right. How do you prove how do you tie video 347 00:24:33.200 --> 00:24:41.400 production to pipeline generation and closed business? At past companies I've done customer marketing 348 00:24:41.480 --> 00:24:45.880 and we had customer films and we would have our sellers tell us when they 349 00:24:45.880 --> 00:24:49.119 feel like a customer video influenced to deal. So that helped US justify future 350 00:24:49.119 --> 00:24:53.640 investments. For us we look at success through a few different lenses. We 351 00:24:53.680 --> 00:24:59.279 look at like overall video Kepis, what's how many views did it get? 352 00:24:59.279 --> 00:25:03.000 How long was it watched for? We want people to watch seventy five percent 353 00:25:03.079 --> 00:25:06.839 or more of the video. That is a sign of success. We always 354 00:25:06.880 --> 00:25:10.000 want to get a couple thousand views within the first few weeks of it being 355 00:25:10.079 --> 00:25:15.119 unveiled. We also look through the Advertising Lens. So we spend money on 356 00:25:15.160 --> 00:25:18.559 Youtube. We look at this as like a brand awareness play, not a 357 00:25:18.599 --> 00:25:22.960 pipeline generation play, and we do short ads for people searching relevant content for 358 00:25:23.039 --> 00:25:26.359 us, for instance, or purpose built for sales force. So we try 359 00:25:26.359 --> 00:25:30.599 and serve our adds up to people who might be watching sales forces youtube channel, 360 00:25:30.640 --> 00:25:34.000 for instance. For us. We look at the average watch time of 361 00:25:34.000 --> 00:25:38.400 those videos. Did people hit skip at or did they keep watching it? 362 00:25:38.519 --> 00:25:44.880 And then, other than that, just to be honest, we don't tie 363 00:25:44.920 --> 00:25:49.799 dollar spent to pipeline generated and closed ACV yet, but I would love to 364 00:25:49.839 --> 00:25:55.119 build a way where we can look at pipeline influence from our videos. They 365 00:25:55.200 --> 00:25:59.519 watch this video, you know, before they became an opportunity, so that 366 00:25:59.559 --> 00:26:03.839 we can say these videos influenced pipe jen and close business. And I think 367 00:26:03.880 --> 00:26:07.839 that would be somewhat easy for us to build in the sales force, but 368 00:26:07.880 --> 00:26:10.519 we just we haven't gotten there yet, but I think we'll get there really 369 00:26:10.559 --> 00:26:15.119 soon. It's nice to catch you in a place where that's sort of what 370 00:26:15.160 --> 00:26:18.880 you're thinking about. What maybe not fully quite there yet. There are lots 371 00:26:18.960 --> 00:26:22.599 of ways we could track right, but I think those initial first steps are 372 00:26:22.640 --> 00:26:29.079 that is like the entry right. We're gonna yeah, you track in the 373 00:26:29.079 --> 00:26:30.920 things that we could all kind of track and I like I like that as 374 00:26:30.960 --> 00:26:34.559 a starting place for for our listeners. Okay, so look back at this 375 00:26:34.559 --> 00:26:40.400 process for me in the lead up to the launch and if there's those that 376 00:26:40.440 --> 00:26:45.920 are going I love this idea of like highly produced video or they're in on 377 00:26:45.960 --> 00:26:48.759 a marketing team and they're thinking, man, there's some things behind this type 378 00:26:48.799 --> 00:26:53.519 of strategy that really could be impactful for us. Are there any pot holes 379 00:26:53.559 --> 00:26:56.680 that you would say we watch out for this, any sort of roadblocks that 380 00:26:56.720 --> 00:27:02.519 got in the way of like execute this creative idea that you're going hey, 381 00:27:02.559 --> 00:27:06.640 if you're going to go down this road, watch out for this. Totally. 382 00:27:06.759 --> 00:27:11.720 Yes. I think that we had an experience with one of our past 383 00:27:11.799 --> 00:27:15.160 keynotes that we were so focused on the look and feel of our demo assets 384 00:27:15.200 --> 00:27:21.039 we weren't as focused on once the slideware happening before we unveil the product demo. 385 00:27:21.119 --> 00:27:23.559 So we got on site and we were kind of doing our choreography and 386 00:27:23.640 --> 00:27:26.680 we were talking about what was happening in the world around us and we hadn't 387 00:27:26.720 --> 00:27:30.079 figured out what was happening on the slides behind us. We didn't know where 388 00:27:30.160 --> 00:27:34.359 to point or where to look. So I would say getting that slide deck 389 00:27:34.480 --> 00:27:40.960 type that is really the content of your keynote video well in advance so when 390 00:27:40.960 --> 00:27:45.039 you go to shoot it on site you feel intimately familiar with what's going on. 391 00:27:45.480 --> 00:27:48.559 I say behind you, because for us we have our talent walking in 392 00:27:48.599 --> 00:27:53.160 front of this huge sixteen nine screen that we've kind of superimposed. So that 393 00:27:53.279 --> 00:27:59.519 was a challenge. Finding a good production partner is always a challenge, we 394 00:27:59.960 --> 00:28:03.599 and it's expensive. So we've gotten lucky that we have a great production partner 395 00:28:03.680 --> 00:28:07.480 and we've worked with them for every keynote. So we feel like there's a 396 00:28:07.519 --> 00:28:12.480 partnership there that we're working through the preproduction process, the day of process and 397 00:28:12.559 --> 00:28:18.200 the post production process and it's gotten smoother every time because we're working with the 398 00:28:18.200 --> 00:28:22.640 same partner every single time. Preproduction is about getting things tight on site. 399 00:28:22.680 --> 00:28:26.839 It's about making sure that your speakers feel really comfortable and well rehearsed, and 400 00:28:26.880 --> 00:28:32.759 then post production it's about having in open communication with your production bender. We 401 00:28:32.880 --> 00:28:37.240 use VIMEO for leaving comments. We do tight turnarounds for days of feedback. 402 00:28:37.319 --> 00:28:40.400 We use a sauna with a really tight work back schedule to make sure we 403 00:28:40.400 --> 00:28:44.559 get everything on time and slowly but surely, I feel like the process has 404 00:28:44.599 --> 00:28:48.400 gotten tighter and smoother time over time, but not without errors for sure, 405 00:28:48.440 --> 00:28:52.960 and just tons of rehearsal time for the speakers to make sure they feel good 406 00:28:52.000 --> 00:28:59.440 to go. Love this as just a creative episode and as one that I 407 00:28:59.440 --> 00:29:02.440 know our listeners are listening to, going, Oh, I see how this 408 00:29:02.440 --> 00:29:07.759 supplies in my context and different things we could try or innovation. This one 409 00:29:07.759 --> 00:29:11.480 thing I love about these episodes right is we want to help people fuel their 410 00:29:11.519 --> 00:29:15.480 growth and their innovation in their marketing and I like this as just an idea. 411 00:29:15.519 --> 00:29:19.279 And so, man more, thank you for jumping on here and and 412 00:29:19.359 --> 00:29:22.480 chatting with us today. There's a lot more roads we could go down with 413 00:29:22.519 --> 00:29:26.200 this, but I think this is a great starting place for so many of 414 00:29:26.279 --> 00:29:30.319 us if people want to connect with you and what you guys are doing. 415 00:29:30.359 --> 00:29:34.880 Talk a little bit about the work that you do and where people can connect. 416 00:29:36.359 --> 00:29:40.160 Yeah, so check us out, qualifiedcom. Our product is a conversational 417 00:29:40.200 --> 00:29:42.559 product, so you can chat right with our sales reps the moment you arrive 418 00:29:42.640 --> 00:29:45.440 on the site. That's kind of our that's our offering. And then, 419 00:29:45.480 --> 00:29:49.079 in addition, check a connect with me on Linkedin, Maura McCormick Rivera, 420 00:29:49.279 --> 00:29:53.559 if you have any questions. I'm such a strong believer in video. I'm 421 00:29:53.599 --> 00:29:57.119 always really excited to hear what other be tob companies are doing from a content 422 00:29:57.200 --> 00:30:02.680 creation standpoint to stay and out and be different. Kind of push the envelope. 423 00:30:02.839 --> 00:30:04.599 So shoot me a message and I'd love, love to connect. And 424 00:30:04.680 --> 00:30:08.359 thank you, Benja, for having me. It's fun to take a look 425 00:30:08.400 --> 00:30:12.559 back post launch at like kind of the creative process, because I think as 426 00:30:12.559 --> 00:30:18.000 a marketers that's what keeps us going and what is the exciting part about our 427 00:30:18.079 --> 00:30:21.119 job. So it's fun to talk about it little bit. It is. 428 00:30:21.200 --> 00:30:23.200 Yeah, thanks for sharing that and I'm sure there will be listeners that will 429 00:30:23.240 --> 00:30:26.359 want to connect with you over on Linkedin, so we encourage people to do 430 00:30:26.440 --> 00:30:30.119 that. You can connect with me as well over on Linkedin. Always talk 431 00:30:30.119 --> 00:30:34.519 about marketing, business in life, and would love to hear from you and 432 00:30:34.640 --> 00:30:38.440 maybe one of your learnings from this episode. Specifically, if you've yet to 433 00:30:38.519 --> 00:30:42.680 follow the show, go ahead and do that on whatever podcast platform you're listening 434 00:30:42.680 --> 00:30:47.519 to this on. Keep doing work that matters. Will be back real soon 435 00:30:47.599 --> 00:30:51.480 with another episode and one more. Thank you, Tomura, for being on 436 00:30:51.519 --> 00:31:22.039 today's episode.