Transcript
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We are going to remember the sering
emotional experience for a long time and that
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plays right back to the value of
what we bought and to the brand equity
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for the company. So experience equals
emotions in my game. If you are
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in marketing, sales or customer success
in a be tob capacity and you're often
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doing human to human interactions within your
customers experience, you can't talk about that
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experience in any meaningful way without considering
emotion, the power of emotions and the
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power of human faces. That is
the expertise of today's guest on the CX
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series of Bob Growth. His name
is Dan Hill. He holds a PhD,
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he's authored several books on emotional intelligence. He holds multiple patents in the
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analysis of facial coding data. It's
a fascinating conversation. I know you're going
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to find it interesting. My name
is Ethan Butt. I host the CX
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series, I host the customer experience
podcast and I co authored a book with
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my friend and team member, Steve
Passinelli on using faces and using emotion in
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simple personal videos. That book is
called Rehumanize Your Business. I hope you
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enjoy this conversation with Dan Hill.
Hey, unless your job is about to
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be automated, your success is state
in your ability to build trust, rapport
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and relationships with other people, hiring, selling and negotiating, interacting with your
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boss, your team members and your
customers, even connecting with your family members
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and friends. Today's guest is an
expert on emotions and he can help us
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do all of these things more effectively. He's the founder and president of sensory
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logic, a company that's done market
research for half of the world's top one
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hundred BETAC companies. He pioneered the
use of facial coding in business more than
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twenty years ago. He's received seven
US patents related to advanced methods to analyze
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facial coding data, and he's the
author of several books, including emotion omics,
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leveraging emotions for business success. First
Blush, people's intuitive reactions to famous
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art and famous faces decoded a guide
book for reading others. Dan Hill,
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welcome to the customer experience podcast.
Well, thank you so much, Ethan,
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for that very kind introduction. Sure, I just I really appreciate the
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body of work that you've generated over
your career and I'm really excited for the
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conversation it's obviously, you know,
we're in this age where technology is so
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well advanced that we're really questioning in
a variety of ways or variety of conversations
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that are around you know, what
does it mean to be human, and
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certainly in the context of creating and
delivering a customer experience, this kind of
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tech human divide or blend is,
you know, forcing a lot of these
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conversations. You know, emotions are
really important. So dollars and emotions,
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those are the two currencies in the
world. Good, I love it.
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Great precursor to the conversation before we
get going on customer experience in particular.
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You're in the Minneapolis St Paul area. I'd love for you to share and
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work. We're recording this on Thursday
April. Second, could you share what's
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the current state of affairs day are
regarding the coronavirus pandemic? How's it affecting
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you or your family, your team, your customers, just kind of what's
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going on where you are? Sure? Well, we have a pretty proactive
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governor. So we've gone into virtual
lockdown mode and people are being asked to
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stay home. So we're a bit
ahead of the curve on that. Fortunately,
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we behind the curve. We are
not in New York City. We
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have about five hundred cases so far, but they are wrapping up about every
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three days. We double and probably
the closest EPI center for us as Chicago
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and then Michigan beyond that. So
obviously it's coming our way, but the
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expected peak is late May. Okay. Well, very best to you all,
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as we sure it's one of the
more interest things that things happened in
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your lifetime. It certainly is for
me. It's certainly puts emotions front and
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the center for all of us,
and I actually have both a sister in
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law and her daughter who are nurses
on the front line in Chicago and DC
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respectively. So we are very concerned
but also really proud of the efforts they're
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making. Yeah, I can imagine
on both accounts they're. So let's get
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into it, Dan, and again
best to your family. It's a really
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appreciate what they're doing. When I
say customer experience, what does that mean
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to you? What does it conjure? Well, it conjures that there are
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a lot of touch points and it
you have to keep track of all the
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different angles as bit like playing pool. You don't know how you're to get
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the ball into the pocket, but
you got to try. You know,
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everyone has an experience interacting with the
company. It can be good, it
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can be bad, it can be
indifferent. Way Too often it's indifferent or
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even downright frustrating. I think the
important that it gets left out of defining
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customer experience is that emotions are going
to come with it and they don't just
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come with it. I think they're
actually in many ways to value proposition.
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We are going to remember the seering
emotional experience for a long time and that
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plays right back to the value of
what we bought and to the brand equity
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for the company. So experience equals
emotions in my game. Really, really
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good call there. I do like, obviously, hit several of the key
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themes that that I hear repeatedly in
asking a variety of smart people that question,
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including yourself, and that's it's every
touch point. It's happening whether you
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intend for it to be happening or
not. You said, you know,
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positive, negative or indifferent. And
then again the emotional component leads us with
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kind of the thoughts and the feelings
that become our online reviews. Two stories
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we tell other people or to the
indifferent, which says if it just didn't
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even matter at all. You know, emotions are really contagious. They're contagious
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between the people you're interacting with and
they're contagious in terms of what you're going
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to share with other people. To
underestimate the power of emotions is basically to
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buy a ticket toward bankruptcy, of
my opinion. Sure, so, would
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talk a little bit more about the
emotional components of the customer experience or even
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the employee experience? You know,
you're a tune to like a barometer of
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value. You already referred to that
a little bit, but just kind of
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break that down a little bit more
from a practical standpoint. Yeah, I
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think we gave in talk in terms
of the evolution of customer experience, which
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I love, because you're now trying
to look at the holistic picture and how
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you're going to design it, how
you're going to measure it, implemented all
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of that. So it's a really
a creative exercise, and the Nice thing
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is it's a lift up from what
we used to have, which was simply
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there was a customer service department.
What did that really do? That was
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the catch base and at the end
of the process, and what it meant
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was I didn't get any customer service, I didn't get any customer satisfaction,
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and the entire emotional dynamic around that
was essentially fear, because you had the
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poor person who probably wasn't really very
empowered by the company, not so well
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paid, maybe a fairly recent higher
within the company. They're just trying to
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learn all the processes and procedures and
now they have this ballistic missile coming at
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them, which is the unhappy customer. Fear is not a lubricate for good
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communication. I mean, what do
you do when you are fearful? You
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either fight, so now you're going
to have a confrontation between the two parties.
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You're going to flee, so you
basically try to avoid them, or
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you freeze, and freeze is really
likely because you're stuck behind the desk or
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on the phone with somebody and they
don't hear you, you don't hear them
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and nothing good happens. So it
is so wonderful that the customer experiences trying
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to quote climb out of that,
because it really needs to start early on
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and we need to bring some other
emotions besides fear into the equation quite obviously.
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So in my terms and facial coding
terms, there are seven emotions.
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They are the playbook. And there
is happiness, which is the only truly
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positive emotion, and we can talk
about variations of that, like delight and
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Relief and pride and hope, but
that's essentially your one positive emotion. There
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is a neutral emotion, surprise,
because you can have a positive surprise,
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I got a new car for Christmas. You can have the negative surprise,
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I got a new car accident on
the way home from work. So that's
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your mutual emotion that's going to go
one direction or other. And then we
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have to deal with anger and sadness
and fear and disgust and content. I'm
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sure we'll get into those, but
that's essentially the playbook. If you're really
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going to do customer experience well,
you need to take an account where those
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dynamics could to play out. What
could be the triggers? How do I
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get out of the when I call
the speed bumps the negative emotions, and
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how do I accentuate the positive really
good? I am with you as a
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customer. Course, we're all everyone
that's on the show, of course,
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as customers were all customers in addition
to trying to manage some aspect of a
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business and in service of customers.
I love that the competitive environment has really
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forced customer experience back up into the
conversation and really forced a lot of companies
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to think a lot more about it. And you're abs really write so many
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unempowered people, I'm thinking now historically, hopefully it's not happening too much anymore,
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although in canceling a bunch of travel
here in first and second quarter I
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certainly dealt with people who are not
empowered to make decisions in to really serve
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the customer. And to your point, you know, it's just like any
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situation, fight or flight or freeze. And you know, I came in
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hot on a rat on a customer
service rep on the phone the other day
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and she just immediately turned it around
for me. So there are you know,
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there are a lot of people doing
these things well. And so,
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by and again, I think the
the business environment, and on both the
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customer and the employee side, his
force companies to be better about this and
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to probably start acting more in the
service of their employees, not just their
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customers. Yeah, and you're doing
with a person. I mean this is
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always can we talk about B to
be and be to seve? It's be
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top, it's business. Two people. You work with people, you sell
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to people with a if you go
back to the traditional format of the customer
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service, they come with a story, because really it's their personal worth that's
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on the line of this moment.
They feel like they made a mistake,
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they bought something, they didn't get
what they expected. The company is bigger
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than them and has their money.
And Yeah, they want their money back
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or they want satisfaction, but they
also want to be validated as a person,
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which involves actually listening to them.
And if you truly listen to them,
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you're also going to take no account
their emotions. So to me it's
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so important for people to lift their
emotional IQ, their eq. I have
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sometimes, I'd up market research conferences, put out the easiest test in the
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world. Seven emotions. I don't
even give them like a fake eighth choice.
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Seven emotions and here's the essence.
that the single word that would describe
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what that emotion is about. And
all they have to do is a match
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and sort and the accuracy raised about
thirty five percent. This is market researchers
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who think about business dynamics, hopefully
day in, day out on their job,
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at least thirty five percent. So
there is a lot of, you
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know, head room that we can
improve on to be better at this.
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Yeah, let's let's spend a minute
on Eq and then we'll maybe get into
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facial coding in business in particular.
What have you seen over the years?
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I mean, obviously you're still to
setting up this this you know quizers,
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which is essentially you're probably expecting the
outcome that you're getting because you've done it
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enough times. But you know,
what's the state of affairs, in your
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view, on emotional intelligence, Eq, in popular business culture? Well,
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I think it's certainly improved. When
I came in in nineteen ninety eight,
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I mean I was an absolute pioneer
in every sense the word. Knowing it.
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Heard of facial coding outside of academia, that's for sure, and I
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wanted to tool that will allow me
to capture and quantify emotions that I knew
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how to bring science with it.
So yes, Daniel Goldman it come out
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with his book on Emotional Intelligence and
they was one thousand nine hundred and ninety
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five and that was a big best
seller, but I think it got applied
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a lot more in personal life that
I got applied in business life. I
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have had so many people come up
to me in province Ay thank God someone
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is raising these issues and also probably, quite honestly, they got us a
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guy because it was a woman.
In stereotypical business environments it might seem like
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it's too soft or fluffy or doesn't
go to the bottom line, and I
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knew I had a hard case it. I had to have numbers, I
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had to have science, I had
to have a process. So I think
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it's moving that direction. There are
constantly articles out in the popular press talking
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about breakthroughs and brain science and validating
how much we're emotional decisionmakers. But you
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know, you had to keep pounding
and pounding out it. They are just
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people who don't want to go there. You know, it just happens.
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Yeah, so let's get into a
little bit of them, of that harder
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science, that the facial coding,
the analysis, that data collection, in
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the analysis of that data. Talk
a little bit about that process and then,
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to the degree you can for listeners, just, you know, make
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it really practical for people that aren't
necessarily going to undertake a something, some
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kind of a project inside their organization. What are a few things they can
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take away from everything you've learned and
taught around collecting the data and analyzing it?
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Okay, well, I'll see if
I can take twenty years and put
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it into five cents. Right,
so a little five minutes. Yeh,
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that's fine. Let's start with facial
coding. I think a really fun way
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to introduce it is Mona Lisa.
Leonardo Da Vinci was probably the world's first
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great facial coder. He got into
studying anatomy he wanted to know which facial
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muscles created which emotions, and so
we talked about Mona Lisa's smile. But
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Mona Lisa actually also shows tempt and
anger and disgust and fear. All those
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sorts of things are going on for
her. What Duvinjay realize those that the
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twenty five square inches that feature our
eyes, nose and mouth is the richest
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visual territory on the planet. The
next person who brought US along, with
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Charles Darwin, essentially said to himself
we must have emotions for a reason.
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They must give us an adaptive advantage, and they can in business help us,
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you know, survive and thrive.
The face is, as he validated,
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the most valuable way to understand what's
happening for somebody else. It's the
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only place in the body where the
muscles attach right to the skin. So
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it's quick, real time data.
It's universal. Even a person born blind
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emotes the same way as you are
I. So the underlying physiology is the
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same, even if, sometimes you
know the degree of which the expressiveness happens
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can vary by cultures. You can
argue Brazil and Japan are polar opposites.
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One is completely exuberant and one is
much more subtle. And finally, we
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have more facial muscles than any other
species on the planet. But in practical
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terms, there is a man named
Paul Ectman that I learned facial coding from,
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and Paul spent about a decade plus
systematically figuring out which muscles correspond to
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which emotions. So I gave you
the seven emotions earlier and there are twenty
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three expressions that go to these emotions. Sometimes they go to a single emotion,
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sometimes they go to two or three, for instance. So one thing
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that Mona Lisa shows is her chin
pulls up it's kind of a Chin Rot
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Riser. That is a sign of
anger, sadness and discussed. She also
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shows contempt. The core of the
mouth lifts up in a way. It's
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a SMIRK, big of snidely whip
lass, the old cartoon character. He
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was contempt personified. Her lower eyelid
is taught and straight. That is a
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sign of anger. And finally,
yes, there's a smile, but it's
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a rather muted smile and all these
other emotions are going on in her face.
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That's why Mona Lisa so fascinating.
She's unusually complex. But really,
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when you have someone who's you're interacting
with on behalf of your company, a
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customer, it maybe a Mona Lisa
or maybe something simpler, but it is
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really helpful to know what you're dealing
with. So, for anyone listening,
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you know I we write these up
and we share video clips at Bombombcom podcast,
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I'm going to see if I can
find a rights free image of Mona
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Lisa to embed in here or you
know, you can obviously go out and
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search on its own. I think
everything we just heard, you're going to
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want to look at that painting.
While you maybe bounce back with the thirty
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two, sixty two back button and
and and take a look at it.
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I know I'm going to do that
when we're done with this conversation. So
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universal and innate are two qualities of
facial expression of emotion. We all do
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it approximately the same way and we
all do it intuitively from birth. We
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write these emotions to our faces and
we can read them from other people's faces
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intuitively as part of the humanic experience. So for a leader or a frontline
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employee or for someone who is engaging
maybe as a customer, with with a
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company, with a person at a
company, what are a few tips like
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it? Can we can we master
or improve our ability to read these or
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be more sensitive to them or manage
the way we express these emotions? Or
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are there maybe communication channel consequences if
we're particularly angry or frustrator or confused or
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that are their channels we should or
shouldn't use? Like make it one step
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more practical. Sure well, for
it's all in my book. Famous faces,
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the coded. I essentially offer up
the secret sauce. For the longest
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time I kept it to myself what
Dr Ecomand taught me, and he had
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a very complicated manual five hundred pages
plus, pretty academic in nature. I
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made a little lot more fun for
as well. It's shorter. Second of
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all, I use celebrity examples with
arrows and circles so you can see the
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expression on the faces of Rock Stars
and Hollywood movie stars and famous politicians and
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so forth. So that, I
think, hopefully makes it a lot more
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accessible. I in terms of practicality. Yes, I do. Let's take
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it from different angles. If you
are someone in senior management, you need
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to think about who you're hiring.
Even if you're a manager, you know,
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one step removed from the front lines. Southwest Airlines, of course,
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famously part of hiring is who a
kind of rap can you give to the
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people on board the airplane? Are
you amusing? Are you likable? Do
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you bring some energy? And that
last point is pretty good, because your
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emotions turn on when something matters to
you. I mean there are all number
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of wives who complain that talking to
their husband is like talking to a brick
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wall. Well, you do not
want that as a customer dealing with someone
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on the front lines either. So
your emotions turn on to give when something
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matters to you. Motivation and emotion
have the same root word in Latin,
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to move, to make something happen. So show your care, show you're
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going to get something done on their
behalf. I would not want to hire
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the person with a totally flat affect
that is essentially a cold fish. The
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other thing I think that's important if
you're one step removed from the front lines,
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is thinking about how you're going to
build the experience for them. What's
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the emotional payoff? How are you
decreasing what I getting called the speed bumps,
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the negative emotions? How you taking
that out of the equation? You
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should be really important to you.
And then what's the feedback loop? You
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should have some way to actually measure
this. We all know the customers as
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faction surveys. People who are the
bomb throwers might fill it out because they
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really have a grievance, but that
might may not be a very accurate picture
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of how well you're doing, or
you may just get some fluff nice,
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as you know, assessments from people
they're you're really loyal customers, and that's
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great too. Maybe the two balance
out, maybe they don't. But you
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want to broader swath of it and
I think you want to be more precise
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when we use facial coding in business, and I think my book will allow
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people to plug it in on their
own. Is You want to actually monitor
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people in real time. How do
they look when, let's just take a
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store window? Do they actually have
some surprise? You want curiosity to be
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rewarded. You want to spur curiosity. If their eyes don't go wide,
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their eyebrows don't lift, that's probably
a sign that you're not creating the curiosity.
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Surprise can be a wonderful emotion.
It's essentially something's unusual and I'm going
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to expand my field of vision to
take in more information. That's exactly what
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you want. Of the informations you
include the products and service. You're just
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selling them. In the end of
the process, you would like a little
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bit of anticipation, of happiness,
hope after all. So those a are
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the two things you want to create
up front, and then once you get
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them in the store, let's just
stay with that scenario. Then probably the
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first thing you want to do is
avoid anger, because angers and emotion is
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I'm not making progress, I'm not
in control of my circumstances, I'm not
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in control of my experience. So
if I'm seeing people with knitted eyebrows and
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they're lowering and they're puzzled, then
maybe my signage is bad, maybe I'm
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not directing them to the real wild
moments in my display. Maybe I have
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a person who comes up and gives
a greeting that seems really phony and doesn't
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do anything for them, that doesn't
actually direct them deeper into the store.
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So there you're trying to keep the
happiness, the possibility of happiness, alive,
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but I think you're really trying to
take away anger. Let's go even
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another step. Now they're starting to
look at some things. I don't want
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them to be turned off. I
want to avoid disgust. With disgust,
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for instance, the nose can wrinkle, the upper lip can flare. It's
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bad taste, bad smell, as
if, almost physically, you're trying to
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get away from something. Well,
my God, in business you're trying to
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get them to hug something. You're
trying to get them to embrace what you
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are selling. So discussed takes you
in the completely wrong direction. Now let's
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take it one two, one two
steps further the next one. I'm at
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the counter. Finally I'm going to
buy something. Let's not make the process
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too complicated. That's going to take
you right back to anger. Let's not
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make it seem like there is a
reason for contempt, that there's something shifty
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going on here, that's you're playing
little slights of hands. It would be
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a lot better relief. Relief Means
Ah, I got surprised and I got
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happiness. Maybe it's a discount,
maybe it's a bonus program maybe there's this
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or that that's going to make something
happen. And finally, Disney was so
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good at this. Disney wanted you
to stand at x in the theme park
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and take a photograph of your experience, because when you got home you still
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have the experience and you can look
back at it, you can validate it,
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you could relive it and you could
use it as a prompt to go
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back to this, to the theme
park, another time. How many companies
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do anything more than the obligatory email
afterwards, you know, thank you for
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shopping, or give you a few
pamphlets to put in your bag that you
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never look at again. So that
can lead you to sadness. Sadness is
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a sense that you're alone and if
you're not careful, it could also be
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a sense that I made a mistake, I'm embarrassed because I made a bad
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purchase. What you want instead on
the backside is pride. I fought through,
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getting to the store, looking things
over, making my decisions and I'm
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happy and I'm also angry. Actually
seems conintuitive, but I'm angry because I
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made progress. Anger can be a
positive emotions to times that I got through
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the barriers. I've made progress,
I own the outcome. Think of Tiger
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Wood when he's at his prime.
He had that's fist pump, that huge
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fist pump, when he won the
tournament. That's actually pride, but it's
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anger because I prevailed and it's happiness
because I was successful. That's where you
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want to have people end really interesting. So many things that that you that
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you got me thinking on. I'm
sure the same for listeners. First is
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the reminder that indifference and any lack
of motivation, because I'm not feeling any
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emotion, I'm actually very indifferent,
is probably the worst case scenario, because
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I would assume that if you can
take someone from a negative emotion to a
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positive emotion, that that positive emotion
might even be further heightened than the natural
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experience. It's not even it wouldn't
be an ideal situation. You prefer that
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they land in some kind of happier, prideful situation just through the natural process.
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But I'm sure there is a recovery
opportunity and at least people care,
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at least they're invested in the experience
at some level. Even if it is
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negative, you maybe have a chance
to save it. You know, you're
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absolutely right. I mean, happiness
is not a trivial emotion and there are
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a lot of ways you can get
to happiness. One is security. You
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know I'm made the right choice.
It's also a sense of belongingness, like
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this is the right store for me. I relate to the clerk. They
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understand me as a person. I
even feel a sense of community based on
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the other shoppers in the store.
Maybe another shopper helps you out and says,
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all, I bought this, or
you have just a display that's tips
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from other shoppers and you have their
photograph and you have a little personal story
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about how they made this product part
of their life, part of their habits
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through routine. There are lots of
ways you can play this and you're absolutely
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right. Even if the product is
not superior, in some cases, or
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the design of the store. It
could be that the saving grace and the
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value proposition could be anchored in the
person the employee that you smartly hired who's
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warm and knowledgeable and engaged, caring
and make things happen for you. So
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I love what you just said.
That's perfect. Yeah, and what you
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what you closed with there is the
reminder that not just hiring and selecting well,
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which you already talked about, but
also making sure that people continue to
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employees continue to feel invested in,
because they are the vessels through which I
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would I would assume that that you
would have something to offer on the contagiousness
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of emotions, the ability to transfer
emotions to other people through like a natural
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kind of contagion, I guess,
is the word that's coming to mind.
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And making sure that your people care, so that they're motivated, so that
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they have some level of emotion that
they can express and convey onto into other
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people. Yeah, you want a
sense of camaraderie. Yeah, I think
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in the best stores they feel like
they're inner together, they're not just played
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with. You know, Michael Jordan, one said after a while you don't
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want to play with rookies. If
you are at a store with this constant
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turnover and you are actually the one
knowledgeable person there, which are constantly having
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to stop and tell us someone how
to run the cashrasers or how to do
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x, Y and Z, that's
a drag and maybe you decide you're going
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to you're going to abandon hip and
get out of there. So I think
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continuity of staff, that they feel
comfortable, that they enjoy each other,
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that they're good fit for your customers. In a lot of ways, you
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shouldn't. You know as much as
you can. Just drag get somebody who's
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going to mirror and reflect back who
those people are and can speak to their
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interests and taste to some degree.
I this. Think that makes the whole
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circle a tire more virtuous circle.
I agree. So let's let's transfer this
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to a because it's the situation we're
all in now, is we're all being
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forced to work from home. A
lot of businesses are doing, you know,
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curbside only or online shopping and delivery. Let's do the transfer now to
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video, so you know what what
we do. Obviously, as we use
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zoom. We're using zoom right now
to record this. I'm really glad we
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can see each other and we're not
just doing audio. I think it's really
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important to the way that we host
these conversations. We use zoom for live
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video conversations, but you know that
requires that we're both available at the exact
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same time, or a whole our
teams, you know, get together and
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these kinds of things. And then
we use bombomb. We make it easy
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to record and send short video messages. You can do longer ones if you
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want to. I always recommend that
they be only as long as they need
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to be so that you can do
this asynchronously as well that you know if
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someone is communicating with you by so
we did this yesterday, by the way.
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You sent me an email, I
sent a video back. You had
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this in person moment with me,
and so obviously, so much of what
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you've shared here already is transferable to
a video environment, which is why the
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company was created, you know,
more than a decade ago. Is because
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we knew intuitively, although not with
the language in science that you have,
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we just knew intuitively, are cofounders
did, that that were better in person,
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that we connect and communicate more effectively
through video, and I think you
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probably have something to say about the
science behind live and recorded video communication when
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you can't be there in person.
I certainly do. I've done executive coaching.
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I've been on TV, you know
Good Morning America and the day show,
403
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and you know actually you go back
and you look at your video clips
404
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and so forth. In the art
book, even more specifically, I looked
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at eighty eight famous paintings or artworks
in general, and I use both eye
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tracking and facial coding to know where
people looked and how they felt, but
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what they were taking in, and
a lot of the artworks involved faces,
408
00:28:03.140 --> 00:28:07.140
and it's really important because what I've
discovered both of my twenty years of research
409
00:28:07.460 --> 00:28:10.740
and this art book, is it
held up. Seventy percent of our gaze
410
00:28:10.859 --> 00:28:15.369
activity and seventies percent of our emoting
will go to the face if there is
411
00:28:15.410 --> 00:28:18.809
a face president something, and obviously
in the videos you're talking about the email
412
00:28:18.849 --> 00:28:22.890
videos, it's going to be a
face. So that face is absolutely crucial
413
00:28:23.289 --> 00:28:27.319
to the successful delivery. But there's
some guideline. For one thing, what's
414
00:28:27.359 --> 00:28:30.359
the size of the face? To
my surprise, even though we talk about
415
00:28:30.359 --> 00:28:33.440
the close up in Hollywood. You
know, Mr De Mill I'm ready for
416
00:28:33.519 --> 00:28:38.319
my closeup, the famous moment from
Sunset Boulevard. The face too large on
417
00:28:38.440 --> 00:28:41.950
the screen is actually off putting.
It feels like it's you know, I'm
418
00:28:42.230 --> 00:28:45.710
dealing with a jolly green giant instead
of a human being. It's just too
419
00:28:45.789 --> 00:28:48.789
much. The face too distant on
the screen, of the other hand,
420
00:28:49.069 --> 00:28:52.069
starts to take it away from me. I don't have that human canvas,
421
00:28:52.549 --> 00:28:57.779
those twenty five square inches of valuable
real estate that Da Vinci realized. So
422
00:28:57.900 --> 00:29:02.700
a medium size face on the screen
is great. The next thing is an
423
00:29:02.779 --> 00:29:07.619
expressive face. It was really striking
when some of these are self portraits by
424
00:29:07.660 --> 00:29:11.049
artists, sometimes their portraits of other
people. But if the face was expressive,
425
00:29:11.089 --> 00:29:17.809
refe modestly expressive, way better in
terms of getting engagement and gaze activity
426
00:29:18.170 --> 00:29:21.930
than essentially a poker face. Part
of that that was also going to be
427
00:29:22.250 --> 00:29:25.920
what I call being on emotion.
Do you create the right emotions at the
428
00:29:26.000 --> 00:29:30.799
right time to match your content?
You know I'll be looking fearful, even
429
00:29:30.839 --> 00:29:33.240
though you're talking about how much confidence
you have in your product. And then
430
00:29:33.279 --> 00:29:37.079
it's the best one out there.
The last one is you might think,
431
00:29:37.079 --> 00:29:40.109
well, maybe I should put two
people on the camera. Probably not.
432
00:29:40.829 --> 00:29:44.309
Well we found is the more faces
you add into the picture, and it's
433
00:29:44.309 --> 00:29:47.630
probably talks to your background as well. The more complexity to the background,
434
00:29:47.950 --> 00:29:51.509
the more you're actually distracting. What
I've found in my work as well,
435
00:29:51.829 --> 00:29:55.380
in advertising and all sorts of things
where you're trying to make that quick first
436
00:29:55.380 --> 00:29:59.220
impression, it's a lot like trying
to land an airplane on the helicopter pad.
437
00:30:00.019 --> 00:30:04.180
The first few seconds are really important
and keeping it relatively simple thematically is
438
00:30:04.220 --> 00:30:08.009
important because human beings are like housecats. We don't like to work that hard,
439
00:30:08.450 --> 00:30:11.769
so don't make them exert more than
they have to and be warm.
440
00:30:11.930 --> 00:30:15.049
If you do those things, you
got a chance. Yeah, I love
441
00:30:15.089 --> 00:30:18.970
it. I always make that recommendation. Sometimes they do it a little bit
442
00:30:18.009 --> 00:30:21.130
tongue in cheek, but one of
the things I always say is, you
443
00:30:21.170 --> 00:30:25.039
know, if you're not sincere about
your message, no matter what the message
444
00:30:25.079 --> 00:30:27.519
is, or if you're not sincere
about the value or opportunity that you're presenting
445
00:30:27.559 --> 00:30:33.079
through video, you probably shouldn't use
video because people can detect that gap between,
446
00:30:33.640 --> 00:30:37.549
you know, what you're saying,
the actual words you're saying and everything
447
00:30:37.589 --> 00:30:40.950
else, the way that you're saying
it and we can just we can detect
448
00:30:41.269 --> 00:30:45.509
that discrepancy and I'm sure it probably
creates confusion at best and maybe distrust it
449
00:30:45.670 --> 00:30:51.259
worse. Yeah, well, I
do a lot of work on bluco campaigns
450
00:30:51.380 --> 00:30:55.140
as a puned in for seeing in
and New York Times and Fox and NSNBC
451
00:30:55.380 --> 00:30:57.740
and Reuters, and there's a really
a pretty basic rule of thumb if you're
452
00:30:57.740 --> 00:31:02.500
a candidate in a debate or anyway, what you're presenting yourself? First,
453
00:31:02.539 --> 00:31:04.769
are you likable? I mean you're
not going to buy from someone you don't
454
00:31:04.809 --> 00:31:07.289
like. It's just not going to
happen unless you really have to you have
455
00:31:07.369 --> 00:31:11.289
no other choices. Second, you
know what's in it for me? Of
456
00:31:11.329 --> 00:31:15.569
course, you mean. Beings are
naturally selfish and self interested. So does
457
00:31:15.650 --> 00:31:18.119
the person on the screen of this
case in the video email. Do you
458
00:31:18.200 --> 00:31:21.960
have a sense that they understand me
as a person, that they get who
459
00:31:22.039 --> 00:31:25.359
I am? And then implicit in
that is, if they're offering me something
460
00:31:25.559 --> 00:31:29.839
is can I trust them? But
they actually follow through on their promises?
461
00:31:30.279 --> 00:31:33.269
And so that's where that disconnect.
That's where you know talking points is fine,
462
00:31:33.309 --> 00:31:38.470
feeling points is better. Being on
message is okay. Being on message
463
00:31:38.509 --> 00:31:42.950
and on emotion is far better.
Then you're fighting with two hands. Otherwise
464
00:31:42.990 --> 00:31:45.910
you got one hand behind your back
and they're really important one. The knockout
465
00:31:45.950 --> 00:31:51.779
punch is emotions. The way the
brain is oriented is it's sensory first of
466
00:31:51.819 --> 00:31:55.140
all, if you go back to
evolution. So we take it all those
467
00:31:55.180 --> 00:32:00.740
visual signals, we do. Then
we attach emotional significance to them and only
468
00:32:00.819 --> 00:32:04.730
then do we get around to a
rational response. But basically the games already
469
00:32:04.769 --> 00:32:07.769
set from the sensory and the emotional
reaction. The emotional part of the brain
470
00:32:07.890 --> 00:32:12.410
sends six times more data to the
rational part of the brain than the other
471
00:32:12.450 --> 00:32:16.680
way around. In other words,
everybody feels before they think. Everybody feels
472
00:32:16.680 --> 00:32:22.039
before they think. The value proposition
is essentially emotional and the rational part is
473
00:32:22.119 --> 00:32:24.839
a little cherry on top of the
Sunday. That's all it is, in
474
00:32:24.960 --> 00:32:30.150
many cases nice and I'm sure that's
anchored in what you observed, is it?
475
00:32:30.269 --> 00:32:31.990
The brain just doesn't want to work
very hard, and so it does
476
00:32:32.069 --> 00:32:36.509
what it's instinctual and natural. First
and only, maybe out of deep,
477
00:32:36.630 --> 00:32:39.309
deep necessity, does it kick it
up to the to the heavier weight rational,
478
00:32:39.430 --> 00:32:44.190
logical processing. Yeah, we go
with a gut instinct. It's quicker,
479
00:32:44.269 --> 00:32:46.019
it's easier and we're going to do
a little validation. But even the
480
00:32:46.059 --> 00:32:51.220
rational stuff is all filtered through,
you know, the what happened emotionally first,
481
00:32:51.539 --> 00:32:53.500
and then it's validated emotionally, because
we're going to choose, naturally,
482
00:32:53.819 --> 00:32:58.730
which details we hold onto and we're
going to hold onto the deals details we
483
00:32:58.890 --> 00:33:02.690
think of emotional significance that either offer
us a lot of hope and opportunity,
484
00:33:04.089 --> 00:33:07.089
you know, you know, we
want pleasure, pleasure principal. Freud was
485
00:33:07.170 --> 00:33:09.650
not entirely stupid, and secondly,
we want to stay away from danger,
486
00:33:09.690 --> 00:33:13.920
which is where Charles Darwin comes back
into the picture. I want to stay
487
00:33:13.960 --> 00:33:16.279
alive. I don't want to buy
bad things, stupid things. I don't
488
00:33:16.279 --> 00:33:20.240
want to make myself look like on
the animal in the herd that should be,
489
00:33:20.400 --> 00:33:24.240
you know, left for dead.
This has been so fun and interesting
490
00:33:24.599 --> 00:33:28.990
and I expect, if listeners are
with us at this point, that they
491
00:33:29.029 --> 00:33:31.549
agree. If there's maybe one thing
that you would like to leave people with,
492
00:33:31.630 --> 00:33:36.430
with where? And I'm going again
back to decades of your work,
493
00:33:36.789 --> 00:33:38.750
you know, are there one or
two things that you just wish? Gosh,
494
00:33:38.789 --> 00:33:42.579
if I could, if I could
get more people to just flip the
495
00:33:42.700 --> 00:33:45.660
switch or know this thing or stay
aware of this, we would be in
496
00:33:45.700 --> 00:33:49.940
a much better state of affairs or
any like kind of high level takeaway for
497
00:33:50.059 --> 00:33:53.779
folks. Well, I think to
stay with the face and this valuable real
498
00:33:53.779 --> 00:33:58.809
estate. It's amazing to me from
studies if you even turn sideways, a
499
00:33:58.890 --> 00:34:02.049
little bit sideways in profile, if
you're talking someone of your clerk can still
500
00:34:02.130 --> 00:34:05.930
work, as you can see about
two thirds of the face, but the
501
00:34:06.089 --> 00:34:10.039
more your face turns away from them, the less their brain and actually fires.
502
00:34:10.599 --> 00:34:14.000
By time we see the back of
the face, we hardly care at
503
00:34:14.039 --> 00:34:17.559
all about the person. So if
you're creating the video, that's your great
504
00:34:17.559 --> 00:34:22.880
chance for facetime, facetoface, making
the connection. Do not be faceless,
505
00:34:23.239 --> 00:34:28.230
do not be emotionally faceless. You
have to come alive as a person.
506
00:34:28.309 --> 00:34:30.869
They want to buy from a person. You are the embodiment of the company
507
00:34:31.030 --> 00:34:35.949
in that moment, just like Bill
Clinton, who was really a great retail
508
00:34:36.349 --> 00:34:40.659
politician, apparently makes everybody who's in
a conversation with them feel like he's there
509
00:34:40.739 --> 00:34:45.179
the only person in the world to
Bill Clinton that moment. That's a that's
510
00:34:45.219 --> 00:34:49.420
a great gift fantastic. Square up
to people, look them in the eye,
511
00:34:49.460 --> 00:34:52.130
as much face as possible. Really, really good tips there. If
512
00:34:52.170 --> 00:34:55.769
you are listening and you've enjoyed this
conversation with Dan Hill, I know that
513
00:34:55.849 --> 00:35:00.849
you will also enjoy episode fifty four
with Vanessa Van Edwards of the Science of
514
00:35:01.010 --> 00:35:07.090
people. That one's titled Unlocking the
Science of video and more recently, episode
515
00:35:07.130 --> 00:35:12.119
sixty three with David Merriman Scott,
who wrote the book fanoccracy, creating fans
516
00:35:12.239 --> 00:35:16.800
through human connection. We had a
slightly similar aspect to our conversation as we
517
00:35:16.880 --> 00:35:22.630
had here today, where we talked
about physical proximity, and so everything Dan
518
00:35:22.789 --> 00:35:25.590
was offering here about you know,
how large your head and shoulders should be
519
00:35:25.630 --> 00:35:29.750
in the frame is related to some
of the things that we talked about with
520
00:35:29.789 --> 00:35:34.349
David and episode sixty three. So, Dan, I love to close these
521
00:35:34.389 --> 00:35:38.780
conversations with a couple key things.
One is your opportunity to think or mentioned
522
00:35:38.820 --> 00:35:43.500
someone's had a positive impact on your
life or career, and then also a
523
00:35:43.659 --> 00:35:45.699
company that you really respect for the
way that they deliver for you as a
524
00:35:45.820 --> 00:35:51.489
customer. Sure whether someone named Joe
Rich, who was instrumental in my company
525
00:35:51.530 --> 00:35:55.849
because he was such a minch.
He was so emotionally warm but also savvy,
526
00:35:57.130 --> 00:35:59.369
and I'll give you a quick story. So he's working for a major
527
00:35:59.409 --> 00:36:02.449
AD agency in La the person says
to him, we hate everyone at the
528
00:36:02.449 --> 00:36:06.880
Ad Agency now, but we still
like you. And Joe says, well,
529
00:36:06.880 --> 00:36:07.760
we're going to lose the account,
right, and they said yes,
530
00:36:08.079 --> 00:36:10.239
he so it. Just do me
a favor, let me know the day
531
00:36:10.280 --> 00:36:15.280
it's going to happen. So gets
the following phone call. The torpedo is
532
00:36:15.400 --> 00:36:19.230
in the water. Click, that's
it and he knows this is a day.
533
00:36:19.269 --> 00:36:22.989
Unfortunately they're going to lose the account. But Joe was just wonderful in
534
00:36:22.150 --> 00:36:27.750
helping me launch the company. Really
a great resource for my book emotion omics.
535
00:36:28.269 --> 00:36:31.940
As to a company, I'm always
amazed by trader Joe's. They really
536
00:36:31.980 --> 00:36:36.579
do seem to have an aspree to
core among their workers. When I started
537
00:36:36.619 --> 00:36:39.219
my company in San Diego, I
used to pick up some items at times,
538
00:36:39.260 --> 00:36:42.579
and Ralphs, and then I'd also
go to trader Joe's. From most
539
00:36:42.619 --> 00:36:45.980
of it, the difference between the
two was absolutely astonishing. You know,
540
00:36:46.210 --> 00:36:51.690
add rals there was everyone was kind
of stollen. There was very little eye
541
00:36:51.769 --> 00:36:53.929
contact. No one wanted to help
you. It just felt like, you
542
00:36:54.010 --> 00:36:58.969
know, a morgue in many respects, specially emotionally, and you go to
543
00:36:59.050 --> 00:37:01.159
trader Joe's and they're smiling, they're
chatting among each other, they're ringing the
544
00:37:01.239 --> 00:37:05.320
little bell that to tell you that
someone needs help at a certain counter.
545
00:37:05.760 --> 00:37:08.840
My God, what a difference.
Yeah, great recommendation there. I've read
546
00:37:08.840 --> 00:37:12.719
a number of really nice stories about
them. I mean the way that they
547
00:37:13.039 --> 00:37:15.550
that the way that they hire and
treat their employees. I think it's foundational
548
00:37:15.670 --> 00:37:20.269
to the experience you get as a
customer there. there. I haven't read
549
00:37:20.309 --> 00:37:22.070
like a formal case study on trader
Joe's, but I've read a number of,
550
00:37:22.590 --> 00:37:27.710
you know, business based articles about
the way that they get that done,
551
00:37:27.789 --> 00:37:30.219
and so really good call. I
haven't heard that one at this point
552
00:37:30.260 --> 00:37:32.579
in a conversation yet on this show. So love that one and I agree.
553
00:37:32.860 --> 00:37:37.300
I was recently there. Of course
they're there, I guess, rationing
554
00:37:37.739 --> 00:37:42.219
the number of people in the store
in order to maintain physical distance between customers,
555
00:37:42.659 --> 00:37:45.650
you know, in this environment,
and of course the shelves were you
556
00:37:45.730 --> 00:37:47.369
know, people made a run on
these stores, you know, and as
557
00:37:47.489 --> 00:37:52.170
this as a stayathome orders and types
of things came up, and so I
558
00:37:52.369 --> 00:37:55.289
saw this is free to core that
you're describing, between employees that are just
559
00:37:55.409 --> 00:38:00.000
as fast as they can restocking shelves
and, you know, restocking the coolers
560
00:38:00.039 --> 00:38:05.880
and things with products, and I've
had that experience, even under this time
561
00:38:06.000 --> 00:38:09.519
of kind of uncertainty and stress.
Yeah, no, just it just feels
562
00:38:09.559 --> 00:38:14.190
good. I feel happy coming into
the store because they're, you know,
563
00:38:14.269 --> 00:38:15.789
they're not trying to fake it,
but they're relatively happy, maybe not with
564
00:38:15.909 --> 00:38:20.949
a job every moment, but with
the interactions with each other and with the
565
00:38:21.030 --> 00:38:23.030
customers. I do a really good
job of it. Yeah, it really
566
00:38:23.070 --> 00:38:27.699
matters and obviously you're as a customer
there, you're making a choice based on
567
00:38:27.780 --> 00:38:30.380
the experience that they deliver for you. How do I feel when I've made
568
00:38:30.380 --> 00:38:35.219
the decision to come in and do
my business here? So, Dan Again,
569
00:38:35.219 --> 00:38:37.699
I've greatly enjoy it. I really
appreciate the work that you've done and
570
00:38:38.059 --> 00:38:42.250
if people want to follow up and
learn more about you or the books that
571
00:38:42.329 --> 00:38:45.530
you've written or your company, where
some places that you might send people?
572
00:38:45.130 --> 00:38:47.650
Sure? Well, first of all, I do have a website. Naturally,
573
00:38:47.690 --> 00:38:54.719
it's called Dan Hill dot sensory logiccom
from that they will find the fact
574
00:38:54.760 --> 00:38:58.679
I have a blog called faces of
the week that they could sign up for,
575
00:38:58.760 --> 00:39:01.639
or they can find it through emotions
wizard. They'll also going to see
576
00:39:01.840 --> 00:39:05.280
will be up very shortly now.
I'm going to have a little pop up
577
00:39:05.360 --> 00:39:08.559
thing they want to keep track of
special events and retreats I'm offering. Next
578
00:39:08.599 --> 00:39:14.190
year, after the inevitable recession passes, hopefully with the virus, I'm going
579
00:39:14.190 --> 00:39:19.510
to launch some one day business retreats
really around Eq themed in different directions.
580
00:39:19.829 --> 00:39:22.869
They'll be held in the palm springs
area where I have a winter home,
581
00:39:22.230 --> 00:39:27.420
so you can escape the winter blues, come down, take the one day
582
00:39:27.460 --> 00:39:31.420
seminar, go see Joshua Tree or
some other things as a tourist and come
583
00:39:31.500 --> 00:39:37.780
away hopefully wiser, happier, wealthier, whatever. Really good, really good
584
00:39:37.780 --> 00:39:39.329
picture. It sounds like something I
want to do right now. And you
585
00:39:39.449 --> 00:39:43.730
know, we're still here with the
promise of spring, and I'd like to
586
00:39:43.809 --> 00:39:45.730
be in palm spring. So,
Dan Again, I appreciate your time so
587
00:39:45.929 --> 00:39:49.849
much. Thank you so much for
your insights and I hope you have a
588
00:39:49.929 --> 00:39:52.409
great rest of your day. Thank
you so much, Ethan. It was
589
00:39:52.409 --> 00:39:57.639
a lot of fun trader Joe's.
It's a brand that's come up before for
590
00:39:57.920 --> 00:40:01.559
delivering a great experience. In fact, I have an episode recording that hasn't
591
00:40:01.599 --> 00:40:06.480
released yet where they come up again. I hope you're finding ways to create
592
00:40:06.719 --> 00:40:10.110
and deliver a better experience for your
customers. I hope the CX series here
593
00:40:10.190 --> 00:40:15.190
on be tob growth helps. I
welcome your feedback on these conversations. Reach
594
00:40:15.230 --> 00:40:21.269
out by email Ethan etch an at
Bombombcom or hit me up on Linkedin.
595
00:40:21.820 --> 00:40:27.300
Ethan, but spelled bee ute pretty
easy to find. I welcome a note
596
00:40:27.340 --> 00:40:30.739
with that connection request. I'm happy
to take any feedback you have on this
597
00:40:30.900 --> 00:40:36.530
series. If you want more,
you can always search the customer experience podcasting
598
00:40:36.650 --> 00:40:43.210
your preferred player or visit Bombombcom podcast. We write up all of these episodes
599
00:40:43.610 --> 00:40:45.929
short, concise write ups. We
had some video clips to bring the message
600
00:40:45.969 --> 00:40:50.480
to life and to humanize the guests. So if you want more from any
601
00:40:50.480 --> 00:40:52.400
of the folks that you're hearing here
on be tob growth, that's a great
602
00:40:52.440 --> 00:40:57.400
place to go to learn more.
Bombombcom podcast. Thank you so much for
603
00:40:57.559 --> 00:41:04.280
listening to the CX series here on
B Tob Growth. One of the things
604
00:41:04.309 --> 00:41:08.110
we've learned about podcast audience growth is
that word of mouth works. It works
605
00:41:08.230 --> 00:41:12.230
really, really well actually. So
if you love this show, it would
606
00:41:12.230 --> 00:41:15.789
be awesome if you texted a friend
to tell them about it, and if
607
00:41:15.829 --> 00:41:17.940
you send me a text with a
screenshot of the text you sent to your
608
00:41:17.980 --> 00:41:22.179
friend, Metta, I know I'll
send you a copy of my book,
609
00:41:22.380 --> 00:41:24.860
content based networking, how to instantly
connect with anyone. You want to know
610
00:41:25.340 --> 00:41:30.380
my cell phone numbers. Four hundred
seven, four nine, hundred three and
611
00:41:30.380 --> 00:41:35.650
three, two eight. Happy texting. I