Transcript
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Conversations from the front lines and marketing. This is B two B growth.
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Today I am happy to have jess
flak with me, Co founder and CEO
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of Ubiquitous, and jess, welcome
to be to be growth. Hi,
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thanks for having me. I am
too, because I know you really founded
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ubiquitous on this belief right that Tiktok
is a great way to grow a business
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and reach specifically the next generation of
consumers. But we're seeing everyone jump over
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to tiktok. So you're working with
creators on compelling and I know I loved
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the data driven side of this as
well, but data driven campaign. So
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tell me a little bit about your
waking up, your realization of this need
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for connecting creators on Tiktok and businesses. Yeah, I would love to say
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that. You know, two years
ago I had this very clear vision of
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exactly what ubiquitous is now today,
but it didn't happen like that. I
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found myself at the beginning of quarantine, in a new city, at a
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job that I had been at for
like three years as a series d stage
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startup called bellhop. Absolutely loved working
there, but you know, after you've
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been at a company, especially one
that's later stage and pretty large. You
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you get in a groove and,
yeah, being in a new city,
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not having a lot of options to
like go out and and meet people,
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I found myself with a lot of
extra time on my hands. And when
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I first started my career, I
worked in agency land, had some some
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contacts and decided to get back into
some contracting work, Um, just to
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fill my time, UM, spend
less time watching Netflix. Yeah, I've
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partnered with this new music label and
they were wanting me to really just put
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together like their promotion strategy for their
singles. And I mean the stars were
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aligned because Tiktok was also just emerging
as this new and exciting platform. You
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know it used to be musically,
and so it had already kind of established
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itself as this powerful music engine.
But in we saw how much Tiktok can
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impact the billboard top one, and
so it was a core piece of of
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my marketing strategy that I was putting
together. But I had just downloaded TIKTOK,
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like I did not know what the
Creator economy looked like on on tiktok
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specifically. So I spent a lot
of time, a lot of hours collecting
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rights from over two hundred influencers and
just found that. I mean the rates
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we're getting back were incredible. It's
like a fourth of the cost of Instagram
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influencers and as six of the cost
of Youtube influencers. Yeah, because I
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had partnered with agencies in the past
when I was working in house at that
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start up, bell hop Um,
and we had run influencer campaigns and so
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I kind of I was already familiar
with what the kind of status quo was
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for these other channels and what the
process looked like. But going over to
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Tiktok, it was just such a
new channel. Nothing had really been standardized,
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both from rates and also like process
Um like, and it just became
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really exciting to me. So just
over time, uh started pulling in more
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and more friends, working initially again
through this label for them, but then
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it started to grow where we're creating
relationships with these creators. Okay, how
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can we help them? What are
the problems that they're having? Oh,
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they need help like negotiating with all
these brands that are coming to them and
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hitting up their inbox. Okay,
well, we could do that for them,
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and so we started off doing that
and then decided, okay, now
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we have all these great brand connects. How can we take their single creator
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campaigns and like grow it into a
full fledged, you know, fifteen fifty
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creator campaign? Um, all right, let's go get more outbound creators.
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And so, yeah, that's kind
of how we got started it. It's
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definitely been an evolution, but we've
we have arrived at least to the point
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of having a lot of like clear
focus and vision into what we're creating and
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the problems that we're trying to solve
in the influencer industry as a whole.
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M I know there's probably many that
are in the place where they're just kind
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of like looking on, but haven't
attempted much on Tiktok and we've had some
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conversations here on the show, but
not really around the creator economy. What
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are some of the maybe misconceptions you
think people have from the outside looking in
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on Tiktok as a platform and the
Creator economy specifically? Yeah, I mean
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I think for for a lot of
brands, and and I'll speak more specifically
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to tiktok since that's our bread and
butter, but I think the reminder that
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you're dealing with humans on the other
end, like it's not just, you
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know, an ad, it is
human and a lot of times, especially
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on Tiktok, you're talking to really
young creators who have kind of fallen into
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this have just recently gained popularity.
So, as a brand, the way
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that you're interacting with creators makes a
really big impact on the success that you'll
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have even long term, because the
creator community is pretty tighten it and small,
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smaller than you think, and I
know that there are some brands that
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are pretty much blacklo sit through the
creative community by sending out really low ball
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offers or just being really Um,
you know, difficult to work with.
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So I think understanding that it's also
your brand's reputation on the line every time
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that you're reaching out Um, and
taking it that seriously Um, is something
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to always keep in mind. I
also think understanding the channel, like spending
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time on Tiktok, and understanding the
tone. If you think about like twitter
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and reddit versus Instagram, like very
different culture. Like you cannot be a
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Nube on reddit and like try to
fit in. You've got to spend time
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before you start speaking the same language
and before you can can really make an
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impact on those types of channels and
Tiktok's the same way. So understanding the
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tone, understanding the way the content
appears to people and analyzing your own behavior
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on Tiktok as you're scrolling, like
what's making you stop past the three second
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mark? I think it's super important. I wonder on because we're talking to
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like this B two B marketing audience, specifically for B two be brands.
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What what would you say the process
of like choosing a creator looks like,
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because we all see brands at large, especially B two C, tapping into
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this creator economy, influencers, but
B two B tends to like be a
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little bit behind and also maybe a
bit more unsure on how they would capitalize
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on on something like this. Oh, totally, and I think it makes
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sense. B Two B is all
about the audience, you know. It's
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all about who you're targeting and making
sure that you're not wasting spend um talking
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to an audience that would never be
in your target market, and so I
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understand for a lot of B two
B companies their hesitation with dipping their toe
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into something that, in a lot
of ways, is considered to be a
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top of funnel, more brand awareness
channel, but I would argue that there
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are different tactics and different strategies that
any brand can utilize with B two B,
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D two C, and it's it's
all about defining what the goal is
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and then mapping the strategies so that
you're you're ultimately accomplishing that goal. So
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always start with intent and then kind
of work your way out from there and
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understands like again, the channel,
the platform, and also with Creator selection.
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Kind of back to your original question, I think a lot of brands,
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and specifically B two B brands,
can focus on like followers size,
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and we always base our rates off
of average views. Well, we actually
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have like an algorithm that that has
like predicted views and it scraps it off
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of like they're in the last nine
videos and takes it into account like sponsored
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posts. But for anyone, you
can find the average views of the creator
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that you're interested in and base your
rates off of like a target CPM for
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based on their average views. That's
the best way that you know that you're
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going to to get the distribution that
you need and also just understand like if
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your goal is conversion, then you
might want to look for some more niche
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creators. You know, you,
you, and those can be a little
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bit more expensive. You know,
it's the old supply and demand uh conundrum
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where, you know, if you
have if you're a SAS sales platform and
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you're looking for creators that promote solutions
for for other businesses in the sales world,
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the supply is a lot lower on
creators that specifically create that content,
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but the audience quality is really high. Um, they're not just getting the
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random followers that you'll see from more
generic accounts. And so maybe that is
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the avenue that that you need to
take and you might see higher cpms but
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you'll see more direct performance. If
you're looking for your intent is just brand
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awareness, then you can go with
some of those more generic creators. Have
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a lower CPM, more efficient spend, but you will likely not see as
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much, you know, direct performance
from each individual post. The attribution window
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will be much wider, much longer, because you're kind of looking for this
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halo effect of like okay, what
what happens to my direct traffic and my
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organic traffic over time now that people
are seeing me on Tiktok, even if
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I'm not driving home like a conversion
type of message. So yeah, I
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always start with intent, look at
the Creator's average views. Also go even
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a step deeper into some qualitative data
and like look through their comments and see
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do they have inside jokes with their
followers, like how close are they?
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Because you don't want to align yourself
with a creator that maybe, maybe they
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have a large following but they're kind
of infamous, you know, they don't
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have the best reputation. So there's
there's a lot of work that can go
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into creator selection, but I think
the brands that do Tiktok well go through
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those additional steps to ensure that they're
selecting the right creators from the job.
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Yeah, I think it's interesting because, like, for our audience, you're
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gonna have people that just aren't there
yet. Most of the people that actually
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clicked on this episode. You're listening
to this right now, you're going,
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okay, I am bought in.
I'm just like trying to learn more and
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I'm ready to like actually go for
it. So we're not going to spend
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time like maybe trying to convince you
to do this, but I think at
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the same time, like there's so
many questions you could ask to make sure
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you're doing this correctly, and I
would even say at it's most basic level,
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even if we can grasp how you
could utilize like influencer marketing, which
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I think I had a decent grasp
on before talking to you. I love
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that that you had some like unconventional
options of how to think about this and
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things that you know. I guess
I'll bring up two strategies specifically that I
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want to hear you go into detail
on. One was just using creators for
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content creations specifically, and then the
second one is using influencers to generate like
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these virals sort of PR campaigns.
Walk me through these two because I don't
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know that and maybe I'm just dumb, I don't know, but like I
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didn't think through that route of Tiktok
and to me that was some of the
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most interesting kind of thought provoking stuff. Totally. Yeah, so content creation,
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like using creators on tiktok specifically for
content creation is such a great way
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to get started with with utilizing tiktok
creators. Number One. Even if you're
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running ads on Instagram, youtube,
you're running commercials, you see the TIKTOK
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format being adapted on all of these
other platforms and it's so engaging. People
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like it clicks for people, like
right off the bat, they want to
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stop and they want to see what
it's all about. Um. So utilizing
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creators for for both your organic pages, so you know you can partner with
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creators and they can produce three to
five videos for you each month. You
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can bundle those those deals and that
will be more economically efficient for the brand,
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but it also kind of gives you
those brand ambassadors where you know your
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audience will start associating, Um,
these creators with, with who you are
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as a brand, which is always, you know, an added bonus,
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especially whenever you're maybe dealing in an
industry that can be somewhat that can lack
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personality. It's a great way to
kind of personify your brand, like find
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those really fun, engaging creators and
kind of start to associate who they are
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with with who you are. It's
also great for or using tiktok creators for
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content creation is great because you kind
of don't need to worry about metrics as
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much anymore. Like the distribution is
off the table at that point. So
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average views, follower account you can
find these really niche or really they could
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even be general creators, as long
as they're good at creating content. They
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can have a small following, but
you're not using them for their distribution anymore.
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So it's a very economically efficient way
to get content stood up and then
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start putting paid ad dollars behind it. And let's say you haven't done influencer
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marketing before and it's a little bit
unnerving to, you know, allocate ten
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percent of your monthly budget into just
an influencer campaign. Maybe that's a really
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big swing right off the bat.
But if you create the content, test
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out all these different strategies with inexpensive
creators, put paid spin behind it,
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see how your audience that you're actually
targeting through, you know, these ad
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channels responds, that's like the best
proxy for now. You can take that,
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use that in your creative brief for
influencers in the future and then you
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you already know like what your audience
is responding to well. So it's it's
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a very good tactic for also just
even informing what your influencer campaigns can look
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like. And then for the viral
prps. I think what's funny about Tiktok
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is that, again, it's like
permeated into our culture so much and you
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can really manufacture virality on tiktok fairly
easily if you want to. So what
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I mean by that is, like
you can create the story, you can
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work with creators, have them posted
to their organic page, that they're not
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just creating the content, they're actually
distributing it to their audience. But you
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can select those more generic creators.
You can do a mix of generic and
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niche creators, draft this story through
the briefs that you're sending to them,
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have them produce and promote content and
then package that and go through publishers.
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You know, you see content about
Tiktok on pretty much every major publication.
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I mean I feel like Buzzfeed is
pumping out like ten TIKTOK lists today for
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for every vertical, and so there
it's engaging content. Publishers want it and
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you can kind of create the story
that you want to then get syndicated to
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your target audience and, you know, find the more niche publications that that
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you know that they're reading and engaging
with. I love both of those.
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I wonder do you have any like
examples of either of those that come to
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mind where, like you've just seen
this done really well and it doesn't even
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have to be and B, two
B, but just to get our minds
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kind of thinking on it. Yeah, actually, Um, and it is
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a B, two B brand sage
Um. So they actually ran a challenge
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and there is a cash bonus and
they called it the Hashtag bosst campaign and
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they had creators used a particular sound
talk about how they're bossing up their year
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because they're like an HR and an
HR solution, and so they, you
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know, support internal teams and anyway, so they ran this challenge. They
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had a cash bonus of like five
thousand dollars to like the top creator Um
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or to the top post, and
a few prizes. And you know,
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the post did well. There was
a video that actually got like twenty seven
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plus million views. So I mean
it killed it from a distribution perspective.
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But they also used all of that
content and push it out through publishers and
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have a dedicated page on their site, like using it as kind of a
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case study. And so there's so
many there are so many different kind of
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utilities and I think trying to maximize
the utility out of each post is is
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really critical if you're wanting to yield, you know, the greatest R O.
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I from each influencer engagement that you
you have interesting. Yeah, let's
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stick on our O I for a
second. Let's talk a little bit about
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attribution. That's probably I was thinking
about it, like maybe not the biggest
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pushback I get from brands, but
there is some skepticism. They're like,
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okay, if it's not just like
this top of funnel thing, then what
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are we actually doing here? How
would we actually attribute it? And you
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did bring it up a little bit
earlier, but take me further down that
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road and you're thinking how do you
track maybe best practices for brands around attribution?
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Yeah, I mean attribution. It's
it's always a pain point and I
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it's not exclusive to influence our marketing. You know, it's it ever since
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late when IOS fourteen came out,
um it kind of rendled. Rendered pixels
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not useless, but they became much
less useful because we lost a lot of
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like mobile device tracking and in a
way it actually created a much more even
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playing field for influencer campaigns and even
like offline Um campaigns. So I mean
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there are a few different ways that
you can view attribution. You know.
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I know that a lot of B
two B companies and D two C um,
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but particularly B two B. They
might have, you know, a
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more automated solution. You know,
they could use like a multi touch or
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an offline attribution platform like demand jump
or measured or leads, our x,
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and you know that will do the
multi touch kind of attribution for you,
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Um, but for the majority of
us out there, and those solutions tend
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to be very expensive and maybe you're
just wanting to test this out really small
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scale to start. So my advice
to brands is, of course, using
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UTM links in your BIOS, use
tracking coupon codes, you know, make
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try to create as much of a
safeess, like a you know, of
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a structure to all of these campaigns
that you know exactly which video, exactly
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which creator produced at least direct conversions. But for influencer campaigns, especially,
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because the attribution window can be,
you know, much longer, especially we're
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talking about top of funnel brand awareness
campaigns. We're just trying to entertain and
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introduce yourself to people. What what
I suggested brands to do is to look
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in their Google analytics, look at
their direct, organic and unattributable traffic lines
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and and measure lift. So you
know, if you, if all those
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posts went live on a Wednesday.
Measure that week over week, month over
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month, you over year, and
get that person to lift percentage and then,
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and then multiply that times your conversions
during that period and by your revenue
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during that period through those line items, and then that's an easy way to
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get that multi touch attribution and to
to give Tiktok or instagram the the credit
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that that it deserves. If you're
looking at all of your data in a
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silo and only looking at direct conversions
forever, then as a brand, you
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will plateau at a certain point because
you're never reaching that new audience. You're
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only spending your money on low funnel
direct conversion channels, which I mean for
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most brands they will have like a
last touch attribution model Um and you'll just
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continue spending to an audience that is
either familiar with you or is only talking
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to the people that are like in
market today. But in order to see
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real long term growth, and of
course every company has their different various stages,
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but once you're at the stage,
at the maturity level, I should
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say as a company, where you're
able to invest in more mid funnel in
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top of funnel campaigns, applying that
multi touch attribution model is pretty critical in
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order to analyze those channels against each
other. Yeah, the other thing I
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wanted to talk about as we're seeing
a lot of brands jump on Tiktok.
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They're bringing it in house and have
you know someone on their marketing team that's
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driving this? What do you think
is like the best way? What would
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you advise as far as having your
influencer marketing and you're in house tiktok creators,
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like working in tandem and creating lift
in unison? You know, obviously
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the influencer is going to add a
component, which is fantastic and add some
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lift, but do you see some
some great ways to those two can work
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in tandem? Oh, totally,
totally. I'm I'm always an advocate for
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trying to stand up something internally and
testing it out on a small scale before
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releasing the hounds Um and really putting
gas on the fire. So I think
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using your in house teams to create
content for your organic channels is a great
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way to start and and using them
for you know, you can test your
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in house created ads against your content
that you you've used influencers to create in
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ads and see kind of you can
bulk up at least the number of ads
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that you're you're testing against each other
by utilizing those in house teams, and
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once you can see which ad is
the most successful or which strategy is the
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most successful, then that can inform
you know, your influencer campaigns whenever you're
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ready to take it from one to
a hundred. You know, the in
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house teams to me are like perfect
for zero to one, and then influencers
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and actually usually their distribution is is
how you get real scale totally. Well,
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as we're starting to wrap up here, I'd love some examples. I
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did this to Emily Brady. She's
on our team, she's does our in
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house tiktok stuff, and so I
would make her give me examples people I
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should be following. I'd love from
you specifically examples of influence or tiktok campaigns
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or people we should go check out
and learn from, if you have some.
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Yeah, so a brand that we
probably all knew very well shopify.
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Um, they do a great job. They have a nice mix of uh,
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client success stories, advice for entrepreneurs
and then just some really off the
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wall, uh entertaining kind of viral
quote unquote content, Um, where they're
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utilizing TIKTOK trends and in corporating it
into what we call like edutainment content.
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Yeah, I remember you use that
term also. But they you can tell
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that their strategy is is very much
focused on Um acquisition and an awareness,
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like they are still talking to their
their core audience with every post in one
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way or another, even with the
more entertaining stuff. And then on the
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other side of that coin, Um
Audio Studios. Um, it's O D
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D I o Um. So they
probably have not heard of them unless you're
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on Tiktok Lot. I've seen their
content. Um. It's actually a fully
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artist studio. So they work with
you know, production companies or creating background
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sounds and their content is super quirky, very engaging. Um, they really
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understand TIKTOK and the culture, which
again and is super important. So you
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never want to come off as like
a try hard on on on social as
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a brand especially, but you can
tell that they're targeting like the consideration stage
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of the funnel. They're not necessarily
using tiktok to find new business, but
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they're using TIKTOK as a way to
show their personality and to apply that additional
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like credibility, um, whenever maybe
someone that like a production studio is looking
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at their social profiles before they reach
out or looking at you know, trying
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to understand who they are. They're
very personality forward. And again, I
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think just understanding the intent in the
position that tiktok plays both your organic your
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influencer, all of it. What
piece is it playing in your funnel,
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because it really can fit into both
awareness, consideration and conversion Um. But
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the content and the strategy needs to
change just depending on the intent. I
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love both those and I don't follow
either, so I will go follow both
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00:27:02.960 --> 00:27:07.720
after this. Yes, the one
that emily mentioned, and you mentioned offline
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00:27:07.720 --> 00:27:11.759
too, is dual lingo and uh, that's like the recurring example right now.
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So if you don't follow them,
go do that. It's a it's
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fun, it'll make you smile,
it's great. Oh Gosh, yeah,
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they have such a sense of humor
and yeah, so many inside jokes like
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their fault. Their followers just know
that they get it, like there's just
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a lot of trust and like a
deep relationship, and so, yeah,
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their content is kind of crazy,
but I absolutely love it. I think
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they're killing it. Okay, so
I want you just to leave us with
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like a homework assignment, like give
us a give us an action item that's
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coming out of this conversation, because
you are probably talking to be two B
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00:27:48.319 --> 00:27:53.519
marketers that are specifically like ready to
do something, especially if they've hung with
329
00:27:53.599 --> 00:27:57.079
us for thirty minutes here and they're
like, okay, I know, Tiktok
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is something I need to do.
We wanted to you, we want to
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partner with influencers, but like,
what's the thing we should be trying?
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Okay, stab number one, get
to know tiktok. If you haven't downloaded
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the the APP, great an account. Spend some time on it Um at
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first. If it's kind of not
your jam, just know that the algorithm
335
00:28:18.359 --> 00:28:22.680
is really great and it works really
quickly and it'll start showing you content that
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00:28:22.720 --> 00:28:25.680
you care about. But yeah,
get to know. Get to know the
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00:28:25.680 --> 00:28:30.599
platform first. Understand m the culture, in the tone and the vibe before
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00:28:30.599 --> 00:28:37.000
you start producing anything. And UH, number two. You know, I
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00:28:37.039 --> 00:28:42.599
would say kind of anyway that you
can set up some social monitoring to you
340
00:28:42.599 --> 00:28:48.039
know, whether it's you, just
as an individual, spending time and and
341
00:28:48.359 --> 00:28:53.200
keeping track of like trends that maybe
you can biggie piggyback off of it's time.
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is of the essence. I mean
Tiktok can often be like a flash
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00:28:56.920 --> 00:29:02.559
in the PAN or a Tiktok post
can go VI role overnight and the next
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00:29:02.599 --> 00:29:06.519
day there's there's always just new,
new content coming out. So try to
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00:29:06.559 --> 00:29:11.160
find those trends where you're seeing a
lot of organic adoption and and find a
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00:29:11.200 --> 00:29:15.279
way to insert your brand voice into
that trend Um. It's a great way
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00:29:15.319 --> 00:29:19.039
to be discovered outside of the four
you page. So yeah, do that
348
00:29:19.119 --> 00:29:25.559
and then test small and then scale. You know, decide what is a
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00:29:25.599 --> 00:29:32.079
significant enough testing budgets so that you
know you can have statistical significance at the
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00:29:32.200 --> 00:29:34.680
end of the campaign to know if
it worked or not. But also don't
351
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test too large to where, if
you know your CAC blows up that month
352
00:29:38.839 --> 00:29:41.480
and it looks like a failure,
the worst thing you could do is just
353
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cut any you know, cut it
after a single month because it looked like
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00:29:45.400 --> 00:29:52.400
it failed. So use those internal
teams or get creators to create content for
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00:29:52.440 --> 00:29:56.480
you to put paid ads then behind. Get to understand what strategies are going
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00:29:56.519 --> 00:30:00.960
to work for you before you you
scale and and start investing more and more.
357
00:30:02.720 --> 00:30:06.720
Yeah, those would be the that's
the homework. Well, thank you
358
00:30:06.759 --> 00:30:08.880
for spending some time with us on
B two, B growth. For those
359
00:30:08.920 --> 00:30:12.319
wanting to check out ubiquitous, what's
the best way for us to do that
360
00:30:12.400 --> 00:30:18.839
and then also stay connected to you? Yeah, so our website is ubiquitous
361
00:30:18.920 --> 00:30:22.160
influence dot com, and the best
way to get in contact with us is
362
00:30:22.240 --> 00:30:25.759
just through the form on our website. Um, if you want to shoot
363
00:30:25.839 --> 00:30:30.759
us an email directly, feel free
to email hello at ubiquitous influence dot com.
364
00:30:30.359 --> 00:30:34.920
Got You know, all of our
sales people ready to respond. And
365
00:30:36.079 --> 00:30:38.960
if you want to give us a
follow two, we're ubiquitous official on all
366
00:30:40.039 --> 00:30:44.640
social platforms. Perfect. Yes,
thank you, jess. I appreciate you
367
00:30:44.920 --> 00:30:48.839
stopping by. Yeah, thanks,
Bingji, for all of our listeners that
368
00:30:49.079 --> 00:30:53.400
have checked out this episode. If
you haven't followed B two, B growth
369
00:30:53.440 --> 00:30:56.960
yet, be sure to do that
and uh, never miss an episode.
370
00:30:56.960 --> 00:30:59.960
And then, if you want to
connect with me, I would love to
371
00:31:00.039 --> 00:31:03.039
chat with you over on Linkedin.
You can. I'm talking about marketing business
372
00:31:03.039 --> 00:31:06.000
in life over there all the time
and would love to hear from you.
373
00:31:06.039 --> 00:31:11.079
So reach out. Thank you for
listening and we'll be back real soon with
374
00:31:11.119 --> 00:31:25.839
another episode. B Two B growth
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375
00:31:25.880 --> 00:31:29.119
sweet fish media. Here at sweet
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